Valentine

A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.

A hitman encounters opposition from the organisation he works for when he decides to leave his job for the woman he loves. Fists, feet and bullets fly in the explosive finale.

A university student is suddenly attacked by a tactical squad. After blacking out, he resumes consciousness to find he has somehow killed them all. As the police arrive, a girl with impressive physical skills (Shana) arrives to rescue him. She reveals that he has a computer chip in his brain and can be controlled remotely. Now, two rivals are after them for the technology.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

A college campus is plagued by a vicious serial killer murdering students in ways that correspond to various urban legends.

On October 31, 1955 June & Frank Marsters met their grisly end when an escaped killer known as the Willow Woods Wolfman broke into their house. In the decades since the night has grown to be the stuff of local legend, but what really happened that Halloween?

A troubled teenage girl who’s struggling to cope with the accidental death of her father suspects that the mysterious killer stalking her hometown is not only her neighbour but her mother’s new romantic interest.

A couple becomes lost in a massive storm and seek refuge at a nearby farmhouse, only to be captured by deranged killers.

Peter and Carla, a couple whose marriage is faltering, decide to go on a camping weekend. When they become lost, the pair sets up camp on a remote beach that doesn't seem to be on any map. At first the trip is the romantic getaway they imagined – then slowly things begin to go wrong. After Peter disrespects the unspoiled habitat, it seems as if the surroundings are exacting revenge on the couple, as insects, animals, and then nature itself become the enemy.

College student Ben inherits a curious old mechanical box that churns out voodoo dolls. When a shadowy figure starts using the box to murder Ben's friends, he must find the killer.

A group of elite soldiers sent to infiltrate and extract the lead science team from Pine Gap, Australia's top secret underground military compound, after it comes under attack from unknown forces. The mission is compromised when they encounter a young woman with no memory of who she is or how she came to be there. As they try to escape, the group quickly discovers all is not as it seems and the facility has become a testing ground for something far more sinister.

Katie, a theatre teacher at an all girls Catholic school in Melbourne, and the director of the school's musical production, has to deal with late cast and crew, demanding staff members, and a chaos-inducing gift, all within 30 minutes of their opening night.