Osayo Koi Sugata

OSHINO, the beautiful daughter of restaurant owners, is in love with SHIRASAGI the painter. But there is another young man, the son of a moneylender family, who is desperately in love with Oshino...

Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.

In a household of three the husband is a salaryman who lives with his younger sister and wife in Tokyo. He is returning home late in the evenings because he plays go, or a Japanese version of chess, with his boss. The wife and sister are unhappy about this. The man's co-worker advises him to stop the late evenings out with the boss, but the man cares less. His sister works at a foreign firm and speaks English. When a man who had earlier visited her workplace returns and asks her out for dinner, she rejects him by lying about a husband. He had made impolite comments about her in English during his earlier visit not realizing she understands him.

Keitaro is a law student and Yaeko is a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.

Three couples connected to rival business and theatrical families navigate complicated romances, workplace disputes, and family opposition.

Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.

A young student of traditional dance falls in love with a handsome young man who visits the dance school in order to take photographs.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

Japanese silent film directed by Yasujirô Shimazu, originally released as a two-part movie on December 11, 1931.

Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.

A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.

A businessman’s daughter falls in love with one of her father’s employees.

Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.