The Primal Call

Geoffrey Tempest is desperately in love with aspiring writer Mavis Claire, a tenant of his boardinghouse. Unable to marry her due to his poverty, in his anger, he curses God for abandoning him. Soon, Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he's inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

Half-Cherokee-half-white Lo faces heavy ostracism from a nearby town, after he sets up his home in the hollow of a massive redwood tree. Romance sparks between Lo and the preacher's daughter, Nellie, which triggers intense jealousy and racism from Sheriff Dunn. The situation complicates further with the arrival of Teresa, a fugitive on the run.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

After the wealthy and married William Judson meets young, attractive Marie Skinner, he's flattered by her attention. What he fails to realize is that Marie has plotted with her lover to seduce Judson for his money. When his family points out her motives, Judson quarrels with them and moves out. Desperate for a solution, Judson's daughter Ruth takes a gun with intentions of shooting Marie – unless her lover can talk her out of it.

Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.

Nora, the waif, is forced to attend school. She warms to her teacher for the way that he defends her against the taunts of some of the students, but when she's made to wear a dunce cap, she flees the schoolhouse in shame. Unsupervised by her alcoholic father, Nora becomes a determined truant, wandering the town during school hours. There she catches the attention of a huckster, who convinces her that they will run away and be married. The schoolmaster, meanwhile, preoccupied by Nora's absence, leaves his other students to go find her. He encounters her at a crossroads, being spirited away by the huckster, and calls the man's bluff by saying that he'll find them a minister.

In the Kingdom of Never-Never Land there live a great Lord and Lady, each presiding over their own domain. This great Lord goes for a stroll through his estate and coming to the border of his own land he is struck by the entrancing beauty of the contiguous estate, so like his own, that the inclination to intrude is irresistible. His peregrination is halted by the appearance of the great Lady, who is indeed as fair as the flowers that clothe her land. He introduces himself and invites her to stroll with him in his gardens. She is in like manner entranced by the beauty of his possessions. How alike in beauty are they; a veritable fairyland. If they were only one, for it seems they should be. This thought is mutual, and the Lord proposes a way, a marriage, and so a betrothal of convenience ensues. They know nothing of love and so are content in the anticipation of being Lord and Lady of all Never-Never Land.

The two brothers and their adopted daughter of the household grew up from childhood together. The girl and the younger brother were childhood sweethearts. His elder brother was considered the bad man and dead shot of the hills. The younger brother has been living in the valley for a long time and returns home to his family. He is now refined, educated, and, of course, a revelation to the little girl, who, though betrothed to the elder brother, is strongly attracted by him. Hence there is a renewal of childhood affection which the elder brother does not take kindly to.

Two men are released from prison after having served their sentences. One is determined to go straight and stay out of trouble, but his fellow ex-con has other ideas, and his plans wind up spelling trouble for both of them.