D.W. Griffith

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.

An episodic dramatization of the 18th President of the United States' life, including his early years, affair with Ann Rutledge, courtship of Mary Todd, debates with Stephen A. Douglas, the election of 1860, his presidency during the Civil War, and finally his assassination at Ford's Theater in 1865.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

Each night, after the day's work at the factory, the three bachelor friends met and declared anew their attachment over a social glass. They bound themselves to remain thus as long as life might last, never to marry. But one was a traitor, while the other two were called away. A widened breach, a quarrel, fanned the resentment, but true friendship at last claimed its own.

A mountain girl is seduced by a traveler from the valley. Her brother tracks the seducer down and kills him. In retaliation, the sheriff captures the brother and prepares to lynch him. Mother intervenes and, to save her son the disgrace of hanging, shoots him.

Judge Henry L. Foster throws his daughter out as she's married a circus man. She leaves her baby girl with Professor Eustance McGargle before she dies. Years later, Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love.

The widowed elderly mother of three adult children, two sons and a daughter, wishing to relieve herself of the burden of care of her property, decides to divide it up among her children. To her son Charles, a wild but kind young fellow, she leaves a small amount, feeling that he will soon run through it. The good-hearted boy is perfectly satisfied, believing in the wisdom of his mother's actions. He assumes she will find a home with one of his siblings, who are married and settled. The old woman moves in with her married son, but is driven out by his wife over an argument about her young granddaughter. She is forced to move into a squalid apartment in a cheap tenement house, but is evicted for failing to pay her rent. Mack Sennett appears as a bartender in this film.

Naomi is a young aspiring artist known to her Bohemian friends as "The Nut." Naomi's alleged nuttiness does not in any way impede the efforts by wealthy Frederick Harmon to make the unworldly heroine his bride. When their first baby is born, Naomi becomes so obsessed with motherhood that she completely ignores poor Harmon, who, to offset his loneliness, begins squiring the vampish Helen Carew. Helen manages to convince Harmon that Naomi has been unfaithful, leading inevitably to divorce-court litigation.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

Two miners are fighting over a woman, and one is about to murder the other in his sleep. At the critical moment, the woman introduces her fiancé from the city.

Geoffrey Tempest is desperately in love with aspiring writer Mavis Claire, a tenant of his boardinghouse. Unable to marry her due to his poverty, in his anger, he curses God for abandoning him. Soon, Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he's inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

In the Kingdom of Never-Never Land there live a great Lord and Lady, each presiding over their own domain. This great Lord goes for a stroll through his estate and coming to the border of his own land he is struck by the entrancing beauty of the contiguous estate, so like his own, that the inclination to intrude is irresistible. His peregrination is halted by the appearance of the great Lady, who is indeed as fair as the flowers that clothe her land. He introduces himself and invites her to stroll with him in his gardens. She is in like manner entranced by the beauty of his possessions. How alike in beauty are they; a veritable fairyland. If they were only one, for it seems they should be. This thought is mutual, and the Lord proposes a way, a marriage, and so a betrothal of convenience ensues. They know nothing of love and so are content in the anticipation of being Lord and Lady of all Never-Never Land.

The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.

Two young girls are sent away to live with their uncle, which sets off a chain of events resulting in an Indian attack on the town.

A royal woman rejects her arranged marriage. The cardinal hatches a plan: the suitor will shave and change clothes. He arranges with 4 clowns to stage an attack on the princess which he easily repels. It works; the princess falls for him, especially when the cardinal arranges his arrest.

An Indian village is forced to leave its land by white settlers, and must make a long and weary journey to find a new home. The settlers make one young Indian woman stay behind. This woman is thus separated from her sweetheart, whose elderly father needs his help on the journey ahead

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

In a quaint fishing village Bill and Mary are childhood sweethearts. Ten years roll by, and the boy, now a young man, gives the girl a ring and they now renew their vows. They are both very happy until fate interferes. Bill, while strolling on the shore, espies a raft with an object on it that looks like a human being, far out at sea. He swims to the raft and finds an exhausted fisherman lying prone upon it. Pushing the raft to the shore, he, with the aid of others, revives the stranger. Joe is the stranger's name and he and Bill become staunch friends. Mary becomes smitten with Joe and cruelly casts Bill aside.

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.