Warsaw by Night

Theatrical Inka - Danuta Siedzikówna - survived the death of her mother, who was murdered by the Gestapo in Bialystok in 1943. Her father died in Tehran after leaving a Soviet gulag. The orphaned sisters, Inka and her siblings, were raised by their grandmother. The heroine was an AK nurse. She was sentenced to death for joining the unit of Major Szendzielarz alias Łupaszko, which was subordinate to the legal authorities of the Republic of Poland in exile. The judges relied on false testimony from militiamen, which, by the way, did not fully incriminate her. In a secret message to her grandmother, Siedzikówna wrote: "Tell my grandmother that I behaved as I should."

Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.

Entertaining movie about the early days of Polish stock exchange in the beginning of 80's. Young TV reporter is sucked into the inferno of easy money, deception, crime, sex and drugs. Sometimes like Kieslowski's moral tales, sometimes like Pasikowski's brutal fables, even sometimes like "Once upon a time in America". Fantastic creations of Baka as Maks and Majchrzak as Rekin /the Shark/ - evil incarnated.

A young priest comes to a town to help the old provost in pastoral ministry. It early May, the parish prepares for the First Communion. Unexpectedly, the provost is admitted to hospital with a heart attack. Priest Piotr is on his own now in a completely new place. At a catechesis, one of the girls catches his attention. She’s sad, introvert and sometimes even aggressive. Marta is a daughter of the richest man in the town. During her confession, the priest feels she’s hiding something. When the time of Sacrament reception comes, Marta runs away from the altar. After hours of searching, priest Piotr finds her hidden in a vestry. The girl tells him the horrible truth.

On a global scale, war is always either further away or closer. In the film we see the tragic day from many perspectives. The narrator talks, looks through photographs and documents, and talks about other wars, about other children: Japanese, Cambodian, Balkan, Rwandan, Syrian. Documentary footage mixes with animation to create a kind of inner world landscape.