Balikbayan #1: Memories of Overdevelopment Redux III

"I am blushing" - Swedish comedy about a film crew traveling to the Philippines to find environments for a movie.

Accused of treason, Dr. Jose P. Rizal awaits trial and meets with his colonial government-appointed counsel, Luis Taviel de Andrade. The two build the case and arguments for the defense as significant events in the central figure's life prior to his incarceration unfold. Upon hearing Rizal's life story, Taviel begins to realize that the accused not just is innocent but exhibits in fact all the qualities of an extraordinary man. When the mock trial unreels, Taviel is all set to act as the prime advocate for his client as Rizal himself is about to give an earth-moving speech to defend his honor and address his countrymen. Meanwhile, the Spanish authorities have worked out the vast political machinery to ensure a guilty verdict. A revolution waits in the wings.

Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."

An elderly nun witnesses a young construction worker's fatal accident, compelling her to question the ethical principles of the institution she has devoted her life to.

Stuck in the German lands of “Yodelburg,” our hero Kidlat dreams of space and muses on humanity’s endless capacity for creativity, whether on the moon or at home in the Philippines. A delightful, self-proclaimed “third-world space spectacle.”

The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Kidlat, a Filipino jeepney driver, is fascinated by the idea of the American space programme and by Western society as a whole. When he moves to Paris, disillusionment sets in as his dreams are gradually shattered.

Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.

Kadu, a boy from Pakil, Laguna, experiences the dissolution of tradition as it gives way to capitalism in the form of Madame, a foreigner who initially came to their village as a customer during the Festival of Turumba.

This is a Filipino omnibus film about three different journeys.

Experimental documentary about roof-making.

An observation of post-colonial economic relations through the intersecting trajectories of two Filipino women: one preparing to leave her native island to work as a domestic in Europe, the other to return for good.

Kidlat Tahimik’s son, Kabunyan de Guia, embarks on a journey from his hometown of Baguio to the southern urban city of Davao using an orange minivan and explores other places in the Philippines along the way.

Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.

Three powerful shamans fight it out in a series of bizarre encounters over an a-go-go dancer. Their final encounter ends disastrously for all three, while the a-go-go-girl ends up acquiring all their powers.

Documentary about an oil spill near the Philippines