Illogical Patterns of a Logical Parallelism

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.

Three people start a strange therapy to escape their agonies. Each attempts to process those they lost during the Marcos dictatorship while examining their own grief.

On a commuter's trip from Manila's business district to the suburbs, the director finds a myriad of possibilities, ranging from miniature ironic situations to a love story that is finally finding its unexpected closing.

A story of how a violent crime disrupts a quaint rural town in Batangas. A girl’s dead body is discovered and puts the whole town on trial while the former’s companion remains missing. The ensuing media spectacle slowly exposes the town’s secrets. As they celebrate its yearly festival by the lake, an unknowing sleeping evil unravels and haunts the townsfolk.

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.

In modern-day Metro Manila, a diverse group of Filipinos faces life's lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.

An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.

A mischievous child arrives on an enigmatic island and learns the value of time and life as he finds his way back home to his father.

It follows the story of a stepmother who, after moving in the home of her husband is haunted by her possessed stepdaughter.

A guy is given a chance to mend the breakup with his girlfriend by going back in time through the help of a magic whiskey, called “wishkey.”

Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.

A young effeminate boy attempts to find his place in a dying world of men with the help of a miraculous jackfruit.

The film opens with images of a sorrowful young woman. The film concludes with images of a desperate young man fleeing into a jungle. In between, images that comprise a wealth of information, but there is still no clarity. Only the despair of the disappearance.

After reconnecting through a phone call, Justin, an analog filmmaker, and Grace, a frustrated poet, reminisce about the day they first met — a day that Justin tries to recreate from memory.

"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.

Stories of Filipino men and women, and other living things passing through similar objects, familiar spaces, non-linear time and dreams alike–all connected from the lens and experience of a stranger, an Alien whose language is disconnected and demands an interaction from the viewer to reconnect these stories to find their own meaning.