The Judge Steps Out

Three friends meet a woman on their holiday from city life. Things turn ugly pretty fast.

A conservationist fights to save the habitat of the California condor and to do it she works her way into the affections of a representative of the oil company that wants the land for their own purposes.

Agents Napoleon Solo and Illya Kuryakin work for a secret intelligence service working under the auspices of the U.N. Their immediate superior is Mr. Waverly. Together they operate out of a secret base beneath the streets of New York City, and accesses through several cover business such as Del Floria's Tailor Shop and the Masque Club. This secret intelligence service is called U.N.C.L.E. United Network Command for Law and Enforcement.

"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.

A Swiss hotel ski instructor falls in love with a man who goes skiing every morning.

A missionary tries to outwit the U.S. government and smuggle Chinese orphans into the country.

Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.

"Spy in the Green Hat, The (1966)" on the other hand, is both exciting AND funny. Especially the scene where Napoleon Solo (Robert Vaughn) hides from THRUSH agents under a young woman's (the incredibly cute Letícia Román) bed and is caught by the woman's grandmother (Penny Santon), who is forcing Solo to marry the young woman. He successfully escapes, but is hunted by a legion of stereotyped Italian gangsters. Now that's comedy.

Italian partisans help a professor sent by the OSS to find an atomic scientist held by Nazis.

Newspaper reporter Michael Ward plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death.

Bandleader and manager discover skater in Norway. They become rivals as she returns with them to America.

Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.

After saving a tramp from suicide, a millionaire takes his clothing and disappears. Word is out that he will give a million dollars to anyone who is kind to a tramp.

The U.S. Secret Service goes after a counterfeiting ring by placing one of its Treasury agents inside a criminal mob.

Jonathan Pride is a mild-mannered dance instructor in 1820 Boston. En route to visit relatives, Jonathan is shanghaied by a band of zany pirates and forced to work as a galley boy. When the pirate vessel arrives at the port of Las Palomas, Jonathan, clad in buccaneer's garb, makes his escape. Everyone in Las Palomas, including Governor Alcalde (Frank Morgan) and fetching senorita Serafina (Steffi Duna), assumes that Jonathan is the pirate chieftain, leading to a series of typical comic-opera complications.

A biochemist develops a process that reverses ageing but, when he disappears, it's up to Napoleon Solo and Ilya Kuryakin to recover or destroy the process before it falls into the hands of the THRUSH.