And There Was No More Sea

Documentary on oil exploration, the phase before drilling.

Kamiel steals the famous Brussels statue of Manneken Pis to impress his girlfriend Denise, the daughter of the man who is supposed to guard it. The Belgians, however, wrongly accuse the Dutch of having stolen their statue and hit back by stealing the statue of Hansje Brink.

This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…

A 1958 documentary by Bert Haanstra that systematically documents the entire glassmaking process in Dutch factories, explaining both traditional craft and mechanized production techniques for an educational commission. (Note: Distinct from Haanstra’s short poetic film Glass (Glas), this version is didactic and process-oriented.)

Bert Haanstra was commissioned by the Ministry of Foreign Affairs to make a short film about his own country. It had to be a piece of the work that mainly would be shown abroad, so that the rest of the world could make acquaintance with the beautiful countryside, with the modern side of the Dutch society and with historic building and old customs. After everything he had already made about these subjects, Haanstra was able to find a new angle, this time by observing the matter from the air. The result is a pretty mosaic of The Netherlands like it looked in the early eighties.

Eight newspaper-columns by Dutch writer Simon Carmiggelt were turned into a film in honor of his 70st birthday.

Bert Haanstra paints a portrait of The Netherlands and the Dutch, in his own unparalleled manner. Partly with the aid of a hidden camera he observes people in the most diverse situations. He shows the unusual in the usual and the usual in the unusual. The harsh years of the post war era of reconstruction have passed and for most people life is better than before.

In the small Dutch village of Lagerheide, two members of the local brass band get into a fight, forcing the band to be split in two. The two hotheads and their followers are doing their utmost to sabotage each other’s attempts at becoming the band who will represent the village at the upcoming brass band competition.

Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.

Impressive, abstract dance film from Bert Haanstra.

A subtle account of the chimpanzees' behaviour in Burgers Dierenpark in Arnhem, on the occasion of the publication of the book Chimpansee Politiek by ethologist Dr. Frans de Waal. A unique experiment shows us how complex the social strategies in the community of this fascinating anthropoid ape are. Haanstra managed to capture almost all aspects of chimpanzee behaviour: display of skill, teasing and pestering, grooming, resting, playing, motherly behaviour, submission, sex and violence. Eventually, the film was also screened to the apes.

Myrte and the Demons is a hallucinatory trip through a world shot in chiaroscuro in which lugubrious forest spirits take human forms at night. Myrte, symbol of good, enters into battle with evil, aided by a colorful group of fantasy creatures, including the moon. Special: Bert Haanstra made his film debut as a cameraman on the set of Myrte en de Demonen.

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.

Documentary about Ajax Amsterdam in 1968.