Bert Haanstra

A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.

How the location and size of an oil field is measured. With animated explanations.

Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.

Documentary about Ajax Amsterdam in 1968.

In the small Dutch village of Lagerheide, two members of the local brass band get into a fight, forcing the band to be split in two. The two hotheads and their followers are doing their utmost to sabotage each other’s attempts at becoming the band who will represent the village at the upcoming brass band competition.

Bert Haanstra paints a portrait of The Netherlands and the Dutch, in his own unparalleled manner. Partly with the aid of a hidden camera he observes people in the most diverse situations. He shows the unusual in the usual and the usual in the unusual. The harsh years of the post war era of reconstruction have passed and for most people life is better than before.

Short film in which Dutch author Simon Carmiggelt visits the hairdresser.

This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.

Hein Slotter, unpopular director of a pram factory, reluctantly agrees to celebrate his 25th anniversary. His only wish is that his successor and mentor, Slieps, gives a speech. Unfortunately Slieps is quite senile and only occasionally has a bright moment. Meanwhile, the party committee learns of a rumor concerning Slotter's younger days and plans to embarrass him during this festive occasion.

Myrte and the Demons is a hallucinatory trip through a world shot in chiaroscuro in which lugubrious forest spirits take human forms at night. Myrte, symbol of good, enters into battle with evil, aided by a colorful group of fantasy creatures, including the moon. Special: Bert Haanstra made his film debut as a cameraman on the set of Myrte en de Demonen.

Documentary about Queen Juliana of The Netherlands in honor of her 70st birthday, including a short interview with the queen.

Documentary on oil exploration, the phase before drilling.

The film is a study of the differences and similarities between human and animal behaviour. The first part of the movie focuses on the behaviour of various animal species. The second half is about humans. In the original Dutch version writer Anton Koolhaas, who also wrote the script, provided the voice-over.

Short poetic documentary about the southern sea in the Netherlands.

In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.

Bert Haanstra was commissioned by the Ministry of Foreign Affairs to make a short film about his own country. It had to be a piece of the work that mainly would be shown abroad, so that the rest of the world could make acquaintance with the beautiful countryside, with the modern side of the Dutch society and with historic building and old customs. After everything he had already made about these subjects, Haanstra was able to find a new angle, this time by observing the matter from the air. The result is a pretty mosaic of The Netherlands like it looked in the early eighties.

A subtle account of the chimpanzees' behaviour in Burgers Dierenpark in Arnhem, on the occasion of the publication of the book Chimpansee Politiek by ethologist Dr. Frans de Waal. A unique experiment shows us how complex the social strategies in the community of this fascinating anthropoid ape are. Haanstra managed to capture almost all aspects of chimpanzee behaviour: display of skill, teasing and pestering, grooming, resting, playing, motherly behaviour, submission, sex and violence. Eventually, the film was also screened to the apes.

Kamiel steals the famous Brussels statue of Manneken Pis to impress his girlfriend Denise, the daughter of the man who is supposed to guard it. The Belgians, however, wrongly accuse the Dutch of having stolen their statue and hit back by stealing the statue of Hansje Brink.

In this film Bert Haanstra shows how important the formation of national parks is for the protection of nature.

Impressive, abstract dance film from Bert Haanstra.

A small town doctor gets a visit from a former study-friend. He doesn't know this former surgeon has become a junkie that wants to steal his morphine.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.