Mohamed El Akkad

A wealthy young man lives a frivolous lifestyle, always in and out of relationships. But after a traumatic event, he starts to rethink his life. He takes the identity of a poor worker to see what life is like in someone else’s shoes and falls in love with a girl who doesn't know who he is.

A traveler between two countries metaphorically named "Easternstan" and "Westernstan" loses his passport and identity papers. Stuck between the two countries he can neither cross the frontiers nor get back to where he came from. He's forced to camp in the neutral area between the two countries, facing a lot of funny situations while there. The movie satirizes the ideology of Arab unity and cooperation at the state level.

A girl and her boyfriend are swindlers who have successfully carried out previous frauds. When they find out that their neighbor has an amount of money that he is safekeeping for a friend, they devise a plan to swindle him.

Adel is from an aristocratic family that lives in Syria during the French occupation, his culture forced him to rebel against his family, and descend to the bottom of society wishing to change his life, he got to know this society and loved him, but he became torn between his culture, and his aristocratic origins.

Two friends are trying to find a suitable place to stay. They find a suitable residence for a woman to live alone. The owner of the house rents a room in the apartment to the two friends without the woman knowing during her absence, which generates funny ironies among everyone.

A failed Syrian inventor named Ziad Jamal is suffering from poverty and lack of faith from others, and his failure to marry the girl he loves. He reads in a newspaper about an armed robbery by a gang, and decides to help the Police in catching them.

Saber Effendi works as a tailor for men, but his major problem is that he suffers from a great depression because of his lack of fashion and refuses to develop his ideas about fashion until his wife, Huda, who works in a Syrian magazine interested in fashion, suggests that he change his activity to become a tailor for women rather than men. Implementation plan.

A feudal lord and his business manager lead a careless life, squandering huge sums on their debauched lifestyle during their trips to France. As the scope of exploitation expands in front of the business manager, he oppresses the peasants and practices usury, so Zanouba decides to enter a special game with the usurer so that she can bring him down.

Unable to afford the dowry of his wealthy sweetheart, a young man is devastated when his beloved's father forces her to marry another, leaving him to convince his scientist brother to use his knowledge to shrink him. As he becomes pint-sized, he turns the life of his beloved's husband into hell.

A beautiful girl falls in love with a simple employee and surrenders herself to him, only to discover that he doesn't love her as he forsakes her. When her brother finds out what happened, he decides to take revenge on him and chases him everywhere.

Ghawar has two jobs: he is a beach guard during the day and a sculptor at night. Ghawar lives with his friend Hosni and the two suffer that their wives travel constantly. A gang plans to steal a statue from the museum where Ghawar works and they send two pretty women to seduce him and Hosni.

The story of Nassar Ibn Oraibi, a fighter against injustice, that sheds light on the life in the Damascus neighborhood and the role of one woman who becomes responsible for the house and her four daughters in light of her husband's absence during the Hajj.

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

Set in one of Damascus’s neighborhoods during the late Ottoman period and the early Renaissance, depicting the customs, traditions, and social relationships that prevailed at that time.

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.