Aferim!

After suffering terrible headaches and stomach cramps, Mr. Lăzărescu, a lonely 63 year-old man, calls for an ambulance, beginning one man’s hellish journey through Bucharest hospitals in search of proper medical care. As the night unfolds, his health starts to deteriorate fast.

A found-footage documentary assembled exclusively out of post-socialist Romanian advertisements, this brings together these documents of Romania’s long transition period, they are made to speak about life, love and death, about the body and human frailty, about nature and the supernatural, about recent history, and, of course, about socialism and capitalism.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews. Driven by his conscience to alert the rest of the world, Gerstein teams up with a young Jesuit priest, Riccardo Fontana, but their protestations fall on deaf ears in the Vatican.

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.

Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.

Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.

Orsolya is a bailiff in Cluj, the main city in Transylvania. One day she has to evict a homeless man from a cellar, an action with tragic consequences that triggers a moral crisis which Orsolya must weather as best she can.

During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

In a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman's side for saying a prayer.

In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.

David Zimmerman, almost 40, is a photographer but no one knows it. When friends drag him to a wild party, he spots a woman in the crowd and can’t take his eyes off her, he follows her… A few hours later, David wakes up: he’s in the body of the unknown woman.

In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.

Punish: a reading of parts of a novel in which a military officer gives a clinical, amoral account about his role in the violent oppression of revolutionaries in 1848. Discipline: a collection of photographs of a chubby and harmless soldier at home and at work from the 1950s to the 70s.