Mihaela Sîrbu

American professor Robert Traum embarks on an adventurous and amusing journey through Bucovina to find Sami the projectionist, the only person alive that can tell him anything about his Romanian Jewish descent. His symbolic journey is filled with danger, the unknown and the surreal, but finally rewarded with a double love: on the one hand he finds romantic love, on the other the passion for old cinema, nomad, popular, naive and generous.

The Holy Week, around 1900, somewhere in Romania. The tense relationship between the Jewish innkeeper Leiba and Gheorghe, his Christian employee, reaches the point where the innkeeper decides to expel the latter. Revengeful, Gheorghe promises Leiba that he will return on Easter Night to “settle” his accounts. This threat comes as a last straw against Leiba’s attempts to cohabit with his hostile, anti-Semitic environment. From then on, Leiba will struggle distinguishing between the real danger and the one fabricated by his anxieties, engaging onto a path of transformation leading to extreme consequences.

Black comedy on New Year's Eve. Fulfilling her list of New Year's resolutions creates more problems than solutions for Monica (Cosmina Olariu).

The corpse of a woman is found in front of Maria’s apartment window. She agrees to take charge of the funeral, becoming involved in her neighbour’s existence. Maria adopts the woman’s unattended dogs and forms a bond with her estranged son. After the burial, Maria tries to reclaim her own life back, but a haunting feeling lingers.

One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

Every year Mihai carries his motorcycle in his tenth floor apartment during the winter and bring it back downstairs in spring with the help of his friends. But this year Mihai finds out how fragile friendships can become.

Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.

A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.