The Century Is Fifty

Cashier Maurice Legrand is married to the wretched Adele. By chance, he meets Lucienne, 'Lulu', and makes her his mistress. He thinks he has finally found love, but Lulu is a streetwalker, still in love with her pimp.

Documentary about the dancer Rudolf Nureyev.

Dr. Lucien Petypon is usually a serious man, but, drawn by his friend Corignon, he once paints the town red at Maxim's. When he wakes up late the next morning, he finds the scantily clad Môme Crevette, a dancer at the famous Paris restaurant, by his side. It is the moment General Petypon du Grêlé, Lucien's rich uncle, chooses to make an unexpected visit. The good doctor has no other choice but to pass Crevette off as his lawful wife.

A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.

The Marquise de Langrune invites her friends at her castle in Beaulieu. Among them is Lord Beltham who also came to bring her a significant sum of money. The mysterious Fantômas kills the Marquise during the night. Inspector Juve is sent on his trail.

Aspiring stage actress Zou Zou tries to help her childhood friend prove his innocence after he's accused of murder.

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.

While on leave in Paris, a G.I. pursues an ambassador's daughter. Meanwhile she's out to prove to her father that soldiers can be gentlemen, too.

In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)