Marie Daëms

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

A Communist officer falls hard for a married woman trying to escape from Hungary.

Three old friends meet again. They compare their marriages and tell each other stories which illustrate why they complain about their wives.

A playwright of note, Darius developed a drinking problem after his first major hit, and has taken time out from writing his follow-up to go to a clinic and dry out. After his release, Darius finds his producer has hired a leading lady for his next show, booked the theater and advertised the starting date -- all without Darius writing so much as a word of this new play. Darius desperately tries to come up with ideas, but nothing comes to mind, with an inflexible deadline staring him in the face. One day, Darius kills a neighbor's cat by accident; terribly depressed, he swallows some sedatives and falls asleep at his computer -- only to awake with the beginning of his play glowing on the screen. Darius is now convinced he must kill in order to create, and starts murdering an ever-expanding variety of creatures in order to satisfy his now bloodthirsty muse.

Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.

Madame Célerier is determined to marry off her son François to a rich and haughty woman but François has other plans.

A group of mourners travels by train to bury a recently deceased artist in Limoges. As they journey, secrets and desires unfold, with relationships shifting, past loves resurfacing, and personal connections revealed. At the funeral and afterward, tensions rise among the group, leading to further emotional complexities at the artist’s family home.

In this crime drama, Michel Simon is cast as Pierrot, an elderly gangster who does not fit the stereotype -- he is soft-hearted. After a petty criminal betrays his cohorts by taking off with the loot from a big robbery, he is caught and sent to jail. Now he has served his time, and Pierrot is given the task of retrieving the stolen cash. The tyro criminal tries to use a pretty young woman who has fallen in love with him as a red herring for Pierrot's investigation. Everything backfires though, and Pierrot is left considering what to do with the loot, and with the criminal who does not yet realize he loves his attractive accomplice and could have a good life with her if he opts for walking the straight and narrow.