Three Magic Words

Roommates panic and plan when they hear a radio report of a murderer loose in their neighborhood.

Mrs. Burgess explains menstruation to her teen-aged daughter by showing her diagrams in a medical book. Her daughter-in-law Mary then tells Mrs. Burgess that she wishes that she, too, knew more about her body. She also reveals that she may be expecting a baby and is apprehensive about her safety and the changes that a new baby will bring to her life.

Jane Carston was to return tomorrow from Ohio, where she had been for the past three years in school, and the ranch was all agog with expectancy and cleanliness. Bob Evans, head cowboy, was most eager and most anxious of the lot. Tomorrow finally became today and Pa had gone to the station in his best linen duster and the buckboard to meet Jane. Finally, in a cloud of dust. Bob discerns them on the brow of the hill. Arriving at the house Jane greets mother with a rousing smack.

A baby is dumped on a couple's doorstep, neither knows how to take care of the child, and funny situations arise. But things get more complicated when the husband receives a letter informing him that his mother is sick.

John Hobbs is a candidate for sheriff, so is Sam Barton. John is a favorite in the vicinity, but Barton has the political pull. Things look none too well for John, when Mary Lemon arrives to visit her brother's ranch. Mary is a suffragette. Having come to the country for a rest from men and work, she promptly forms an attachment for John and starts right in to turn a probable defeat into a sure victory. Mary calls a meeting and the boys attend anticipating some amusement. They leave enthusiastic about Clary's charming personality and many of them lukewarm in their adherence to Barton. Mary is not satisfied, election day is at hand and the fight is not won.

Violet De Ray opens up a barber shop at Roaring Gulch. Violet not only does a ripping good business, but she unconsciously has a hand in hurrying along several matrimonial affairs which have hung fire. This is notably the case with Si, who has loved bashfully and at a respectable distance for years. He is lured into Violet's shop, and after his chin whiskers have been clipped he emerges elated; and this coupled with Mandy's desire to protect him from such evil influences, cements a long drawn out romance.

A Paramount-Christie comedy from 1928.

A musical short about a young couple, an artist for an advertising firm and a hopeful model. They try a couple of schemes to get Sally a job with the firm.

A student is pressured into pretending to be a classmate's Aunt so he can act as a false chaperone.

Mary and her steady, Jack, have differing opinions on "the stage"-- Mary wishes to devote her life to the craft, while Jack strives to settle down and leave all that play-acting behind. When a traveling troupe that performs a Fall-of-Roman epic is ordered to strike, both Mary and Jack are called upon to participate in their stead.

When her newspaper reporter brother is taken ill, a young woman takes over his job. Before she knows it, she's involved up to her neck in a plot involving stolen jewelry and a very agile monkey.

Henry Williams, out in Arizona looking for a cure for his imaginary ills, stops at the ranch of Jud Morgan, and decides to stay. Jud's daughter, Sally, attracts his attention, although she is engaged to be married to Sheriff Bob Wells. Henry rides with her to town, where she wants to go shopping for her wedding clothes, but they run out of gas. No, problem' Henry holds up a passing motorist, with a monkey-wrench, and takes gasoline out of his car. They stop at a ranch where the foreman makes them become the cook and dishwasher. Then Jerome Underwood and his daughter, Harriet, arrive and they recognize Henry and Sally as the ones who held them up for gas. The jealous sheriff adds to the complications.

Johnny tries hard to impress his girl, but she seems to be much more interested in movie stars.

Buster becomes a fireman, but unfortunately not a particularly good one. He has a chance to prove himself, however, when three women are trapped in a burning building.

A cross-dressing farce, adapted from "Madame Lucy" by Jean Arlette, in which to help a friend in a lawsuit, Jack Mitchell disguises himself as the mysterious "Madame Brown," a missing witness important to the case of the plaintiff. He attracts the romantic attention of two old roués and one hot Broadway showgirl.

A nightclub owner's wife, jealous of his attentions to his star singer, schemes to get her fired.