Mary's Merry Mix-Up

Niela is tired of her children's hour radio program and with the help of Lee they frame the station's top executive so that she will get a break on a big time program.

Roommates panic and plan when they hear a radio report of a murderer loose in their neighborhood.

Jane Carston was to return tomorrow from Ohio, where she had been for the past three years in school, and the ranch was all agog with expectancy and cleanliness. Bob Evans, head cowboy, was most eager and most anxious of the lot. Tomorrow finally became today and Pa had gone to the station in his best linen duster and the buckboard to meet Jane. Finally, in a cloud of dust. Bob discerns them on the brow of the hill. Arriving at the house Jane greets mother with a rousing smack.

A baby is dumped on a couple's doorstep, neither knows how to take care of the child, and funny situations arise. But things get more complicated when the husband receives a letter informing him that his mother is sick.

An auto dealer arrives in a western town, at about the same time as a band of heavily-armed desperadoes.

Violet De Ray opens up a barber shop at Roaring Gulch. Violet not only does a ripping good business, but she unconsciously has a hand in hurrying along several matrimonial affairs which have hung fire. This is notably the case with Si, who has loved bashfully and at a respectable distance for years. He is lured into Violet's shop, and after his chin whiskers have been clipped he emerges elated; and this coupled with Mandy's desire to protect him from such evil influences, cements a long drawn out romance.

A Paramount-Christie comedy from 1928.

Robert Gardner and Billy Noble become interested in a machine capable--according to the inventor, Trueman--of producing artificial rubber. A trust is formed, circulars are sent out, and a demonstration is requested. When Billy discovers that the invention is fraudulent and refuses to demonstrate it, the trust lawyer becomes suspicious and notifies postal authorities. Robert feigns insanity, and Trueman accepts an offer of $1 million for the formula, which experts later discover produces an indestructible paving block.

John Hobbs is a candidate for sheriff, so is Sam Barton. John is a favorite in the vicinity, but Barton has the political pull. Things look none too well for John, when Mary Lemon arrives to visit her brother's ranch. Mary is a suffragette. Having come to the country for a rest from men and work, she promptly forms an attachment for John and starts right in to turn a probable defeat into a sure victory. Mary calls a meeting and the boys attend anticipating some amusement. They leave enthusiastic about Clary's charming personality and many of them lukewarm in their adherence to Barton. Mary is not satisfied, election day is at hand and the fight is not won.

A student is pressured into pretending to be a classmate's Aunt so he can act as a false chaperone.

The ring master is plotting to get the circus owner done away with in a lion cage so he can take over.

Neal hates to give up his evenings with "the boys." even for his wife Betty. She gets a burglar scare and insists on his staying home. However, he wants to go to a masked ball, so he gives her a powder, telling her it will make her sleep soundly. She slips the powder into his favorite decanter, hides his costume, and then retires. In the kitchen, the cook gives a policeman some of the doped whiskey. Neal takes the cop's coat, hat, and stick and starts for the ball. On the way he is called on to restrain a wife-beating husband. He gets a black eye, so decides to go home.

When her newspaper reporter brother is taken ill, a young woman takes over his job. Before she knows it, she's involved up to her neck in a plot involving stolen jewelry and a very agile monkey.

Johnny tries hard to impress his girl, but she seems to be much more interested in movie stars.

Buster becomes a fireman, but unfortunately not a particularly good one. He has a chance to prove himself, however, when three women are trapped in a burning building.

A cross-dressing farce, adapted from "Madame Lucy" by Jean Arlette, in which to help a friend in a lawsuit, Jack Mitchell disguises himself as the mysterious "Madame Brown," a missing witness important to the case of the plaintiff. He attracts the romantic attention of two old roués and one hot Broadway showgirl.