Locker Sixty-Nine

After spending a long time in prison, Kip is still willing to pull off one more big job

The adventures of Interpol policemen Duval and Mornay as they fought against international drug-running, homicide, robbery and forgery.

In a late night chemist a shot bank robber has been taken for treatment, and to rendezvous with the gang leader.

A handsome gambler unwittingly becomes guardian of an orphaned, teenaged girl.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.

After murdering his lover, cross-channel swimmer Joy Webster, Derek Bond attempts to do same to her other boyfriend, Sheldon Lawrence. John Ireland plays an Interpol detective who stems Bond's homicidal hijinks. Black Tide was produced by Monty Berman in his pre-Saint days.

A United Nations investigator crosses paths with a pair of psychic sisters on his way to Trollenberg observatory in the Swiss Alps, which has been plagued by a series of mountaineer disappearances that may be related to a radioactive cloud at the mountain's south face.

Fed up with her wealthy but abusive husband, Tom (Basil Dignam), young English homemaker Laura Wilton (Anne Heywood) conspires with her lover, American Army captain Dave Dillon (Robert Arden), to have her boozy spouse meet an "accidental" demise. But a nosy copper (Denis Shaw) suspects foul play, and soon the lovers' crafty scheme deteriorates into fear, distrust and betrayal. Paul Dickson directs this vintage noir thriller.