Philip Latham

World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.

Whilst vacationing in the Carpathian Mountain, two couples stumble across the remains of Count Dracula's castle. The Count's trusted servant kills one of the men, suspending the body over the Count's ashes so that the blood drips from the corpse and saturates the blackened remains. The ritual is completed, the Count revived and his attentions focus on the dead man's wife who is to become his partner; devoted to an existence of depravity and evil.

The story of the conception of a new British weapon for smashing the German dams in the Ruhr industrial complex and the execution of the raid by 617 Squadron 'The Dam Busters'.

A pirate ship, fighting in 1588 on the side of the Spanish Armada, suffers damage and must put into a village on the British coast for repairs. The village is small and isolated and the Spanish convince the villagers that the English fleet has been defeated and that they, the Spanish, are now their masters. This results in the villagers' sullen cooperation, but rumors and unrest begin to spread and soon the Spanish pirates find themselves facing a revolt.

This heroic story follows the life of Karol Wojtyla, a Polish Roman catholic who ascends the throne of St. Peter as Pope John Paul II. As a young boy, Karol is a bright and talented student. Archbishop Sapieha recognizes the very special, moving qualities Karol possesses and encourages him to consider the priesthood. Although determined to study Polish literature, Karol turns to the church; he is ordained and studies in Italy, France, and Belgium. Torn by fear and repression in post-Stalin Eastern Europe, Karol becomes a poisonous thorn in the communists' side. His deer reverence and commitment return him to Poland as Pope John Paul II.

Two ruthless mercenaries break their friendship when one of them changes sides.

A look at the subtle (and not so subtle!) links to the show's past and future contained within the story of The Five Doctors.

Many incarnations of the Doctors and their old companions are taken out of time and deposited in the Death Zone on Gallifrey. There, they must battle the Master, Daleks, Cybermen and Yeti in order to reach the Dark Tower and discover the Tomb of Rassilon.

A shady business man has perpetrated a fraud that has resulted in the death of a large number of people. His business partner has evidence of the fraud and threatens the fraudster with exposure in the event of any further dishonest dealing. But when the fraudster suddenly receives death threats he decides to fake his own murder in a plan both to get his hands on the evidence.

The film is based on the actual events of the Portland Spy Ring trial in the U.K. A disgruntled Navy Clerk is transferred to a secret research establishment and is subsequently black-mailed/paid by Czech intelligence to procure secrets for them. He seduces the secretary who controls the most secret documents, and they enjoy the fruits of their treachery until the British authorities begin to close in on them.

Based on the true story of a British secret agent, shot down over Malaya near to a Allied POW forced labour camp. There she is hidden, disguised as a youthful prisoner, until her escape can be effected. The costs of keeping her identity secret fall on all the POW's as the Japanese embark on a policy of ruthless terror to extract her and the focus shifts to the conflicts of the group' s collective concerns against the necessities of personal survival.

Documentary that chronicles the making of the third film in Hammer's Dracula series.

Clive decides he will go mad. Stark raving mad. His wife doesn't take him seriously, until Clive does something that makes her realise he means it.

A nuclear war specialist returns from a mission gathering data on Soviet communications and electronic warfare techniques in the Arctic Ocean to find that his flat has been broken into and mysteriously re-decorated.

A family on holiday stop to pick up a mysterious hitch-hiker. Originally an episode of British horror anthology TV series, Hammer House of Horror, that later received a feature release in the United States.

At the Earndale by-election natural history expert and TV personality Bob Wilcot for the Conservatives finds himself up against Billingsgate girl Stella Stoker for the socialists. Amateur politician against committed activist. But could it become boy-who-fancies-girl against girl-who-fancies-boy? The party agents are soon colluding against such a disaster.

A pair of hoodlums steal a car in which there is a note - a ransom letter - directed to a wealthy man whose daughter has just been kidnapped. The two gangsters stole the abductor's car and when they find the note, they decide to take advantage of the situation and collect the money.

The story of three children who find themselves with a friendly monster that grows at an alarming rate.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Anthology series of dramatic works.

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Series of single made-for-television dramas.

The legendary character Robin Hood and his band of merry men in Sherwood Forest and the surrounding vicinity. While some episodes dramatised the traditional Robin Hood tales, most episodes were original dramas created by the show's writers and producers.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

A UK anthology series of single plays from major playwrights old and new. It ran from 1955 to 1974, producing about five hundred ninety-minute episodes from Granada Television. Season 1 also incorporates the Plays from the 'H.M. Tennant Globe Theatre' series, some of which were incorporated and labelled in listings as official Play of the Week episodes and some of which were played in place of Play of the Week episodes in alternative ITV regions. All 8 plays have been incorporated into this entry for convenience.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

BBC series based on the novels by Georges Simenon which starred Rupert Davies as Inspector Maigret, a French police detective who preferred to watch and listen in order to solve crimes. The series ran from 1960-63 on British television.

A secret, high-technology international agency called SHADO defends Earth from alien invaders.

The Troubleshooters is a British television series made by the BBC between 1965 and 1972, created by John Elliot. During its run, the series made the transition from black and white to colour transmissions. The series was based around an international oil company – the "Mogul" of the title. The first series was mostly concerned with the internal politics within the Mogul organisation, with episodes revolving around industrial espionage, internal fraud and negligence almost leading to an accident on a North Sea oil rig.

A kid-friendly take on the exploits of King Richard the Lion Heart, from his participation in the Crusades, to his capture in Austria, to his final return to England.

A BBC anthology series featuring adaptations of detective stories over 45 episodes in three seasons that ran from 1964 to 1969. As with many BBC programmes made before the early 1970s, many of its episodes no longer exist. Of the eighteen episodes from the first season only twelve are currently known to exist; likewise six of the sixteen editions from the second run are considered lost, and just one of the final ten survives in the archives.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

This sprawling BBC saga follows an aristocratic family through three generations of power, wealth, intrigue, and scandal in Victorian England. Based on Anthony Trollope’s “political” novels .

The Edgar Wallace Mysteries was a British second-feature film series, produced at Merton Park Studios for Anglo-Amalgamated. There were 46 films in the series, made between 1960 and 1965. The films were loose adaptations of Edgar Wallace's books and stories. Very few used his original titles, and there was no attempt to set them in the period in which Wallace wrote, probably to obviate the need for elaborate costumes and sets. A 1962 article in Scene magazine quotes £22,000 as the budget for an episode then in production.