The Ponzi Scheme

In the Normandy countryside, a simpleton is fascinated by cows.

Emile Dutilleul, 47 years old, lives a quiet and withdrawn life in Montmartre and works as an employee in an open-plan office with an insurance company. When he meets his new, lively colleague Ariane, Emile discovers not only his inner life, but also something monstrous. He has a superpower of which he had no idea: he can walk through walls ...

Jean-Louis is an naive, amiable orphan who spent his life with his elderly and very strict grandfather. Jean-Louis was a 25-year old virgin when a free-spirited young Parisian woman was temporarily stranded in his village after a bus broke down. She left him a changed man, and she also left a match book from a fast food restaurant called Fast Burger. Soon after his grandfather passes away, the innocent rube Jean-Louis hops on his bike and embarks upon a quest to Paris to find this enigmatic woman. But he is not prepared for the size of Paris, and instead ends up working at a Fast Burger outlet himself. Jean-Louis is a simple soul and freely expresses himself without guile. For some reason this endears him to the staff and management; soon he has been promoted into the upper echelons of the company. One day he meets a rather ditzy Metro security guard, Henriette, who is also at sea in the big city. The kindred spirits click and a sweet romance ensues.

Jonas, a 23-year-old dad, attempts to carry out an important Jewish tradition: burying the foreskin of his newly circumcised son. The forgetful father only has a few hours to complete the task... but having a group of hit men on his trail won't help matters much.

Julien, 18, visits his half-brothers without warning. Max, 26, lives in an travelers' camp in the middle of the Cévennes forest. The two brothers had not seen each other for several years. Julien falls in love with Lise, an occasional mistress of Max with whom he makes some music. This chaotic affair upsets Julien and brings to the foreground the family conflicts that they have never addressed.

Daniel, a filmmaker is convinced that cinema is dying as an art form, and thinks he is a new Don Quichotte.