Sanã

The documentary starts from the religious conflicts that exist in Rio de Janeiro and Belo Horizonte's favelas and suburbs to analyze the growing conservative wave that hovers over the country.

The work is inspired by Shakespeare's play "Twelfth Night", and the whole narrative is built around the festivities of the Folia de Reis and an unexpected love born of this tradition.

The film tells the story of a woman who lives in a village of mining workers.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

Juan has become the laughingstock of the small fishing village, due to his wife being unfaithful and getting pregnant by another man. He has left fishing and now obsessively cares for an ostentatious mansion of a wealthy family from the capital. One day, the young son of the owner shows up at the house, without his father's permission and loaded with alcohol, with a foreign friend and a village girl they just met. During the course of the weekend, Juan will be forced to make decisions that will affect the rest of his life.

The horror and sublime of the urban environment are in constant change, in a time where nothing is finished or definite. Construction and destruction, systole and diastole are expressed in the poetics of the contemporary polis.

The walls in the Brazilian city of Belo Horizonte are inundated with painted pictures and words, from stunning murals to old-school graffiti, and from enigmatic cries from the heart to furious cursing. Marcos Pimentel uses his mostly static camera to capture an impressive number of these public statements.

Over the rubble and debris of contemporary cities, the new urban warriors improvise daily on streets and ruins.

A film about absence, narrated from the experiences of people who experience feelings of absence and distance, spread across Brazil, Portugal, Angola, Mozambique and Cape Verde. The body, landscape, memory and time. Stories and places built with remembrance, oblivion and invention. A journey through the territories of memory, representation and belonging.

Documentary built with homemade pictures about everyday life in the twentieth century.

Documentary about dreams and desires of ordinary people, about fuels that move us daily: happiness, recognition, financial stability, marriage, health, fun, a few pounds less, enjoyment, overcoming or even a simple and humble kite.