Marcos Pimentel

The walls in the Brazilian city of Belo Horizonte are inundated with painted pictures and words, from stunning murals to old-school graffiti, and from enigmatic cries from the heart to furious cursing. Marcos Pimentel uses his mostly static camera to capture an impressive number of these public statements.

The horror and sublime of the urban environment are in constant change, in a time where nothing is finished or definite. Construction and destruction, systole and diastole are expressed in the poetics of the contemporary polis.

An albino boy named Sanã lives on the island of Lençóis, an untouched paradise in northeastern Maranhão state. Surrounded by dunes, he is mimicked in a very white landscape, under a scalding sun from which he cannot escape. In this microcosm ruled by wind and the tides, Sanã builds his own private world.

Juan has become the laughingstock of the small fishing village, due to his wife being unfaithful and getting pregnant by another man. He has left fishing and now obsessively cares for an ostentatious mansion of a wealthy family from the capital. One day, the young son of the owner shows up at the house, without his father's permission and loaded with alcohol, with a foreign friend and a village girl they just met. During the course of the weekend, Juan will be forced to make decisions that will affect the rest of his life.

The film tells the story of a woman who lives in a village of mining workers.

Over the rubble and debris of contemporary cities, the new urban warriors improvise daily on streets and ruins.

A film about absence, narrated from the experiences of people who experience feelings of absence and distance, spread across Brazil, Portugal, Angola, Mozambique and Cape Verde. The body, landscape, memory and time. Stories and places built with remembrance, oblivion and invention. A journey through the territories of memory, representation and belonging.