The Tulse Luper Suitcases, Part 3: From Sark to the Finish

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe.An interstitial bridging the first and second parts, repeating the last hour of Part 1 and appending it with material covering Luper's time in Antwerp.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. A Life in Suitcases condenses the six-hour trilogy into a single two-hour feature, and in doing so, accentuates the project as a filmic essay in multiple narratives, listings, sidebars, footnotes, commentaries and anecdotes; a project for an Information Age ready to understand that there never is a phenomenon called History, there can only be Historians, gatekeepers to vested interests.

Five hundred years after his birth, the life and career of the Italian Renaissance's last great painter is explored.

A short film based on the work of choreographer Anne Teresa de Keersmaeker.

When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.

R. Neville, a brash young draftsman, is hired to make a dozen landscape illustrations at the estate of Mr Herbert and his wife Virginia. Aside from monetary compensation, the arrangement includes a sexual liaison offered to Neville by Virginia while her estranged husband is away. But when the murdered body of Mr Herbert is discovered at the estate, mysterious clues found in Neville's drawings point to the identity of the killer.

Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.

Identical twin zoologists lose their wives in a car crash caused by a white swan. They become obsessed with the death and decay of animals, and develop a strange and unusual relationship with the driver of the car, a woman who is now an amputee.

Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war, depicting the oblivious pet's surreal impact on the Reich.

A TV Dante is an experimental mini-series directed by Tom Phillips and legendary filmmaker Peter Greenaway. It covers eight of the thirty-four cantos in Dante Alighieri's Inferno, part of his 14th century epic poem The Divine Comedy. The eight cantos of the film are not conventionally dramatised, rather they are illuminated with layered and juxtaposed imagery while the text is read entirely in "talking head" fashion, and punctuated with a kaleidoscopic blend of both newly shot and archival footage.

Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.

In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different.

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

A TV Dante is an experimental mini-series directed by Tom Phillips and legendary filmmaker Peter Greenaway. It covers eight of the thirty-four cantos in Dante Alighieri's Inferno, part of his 14th century epic poem The Divine Comedy. The eight cantos of the film are not conventionally dramatised, rather they are illuminated with layered and juxtaposed imagery while the text is read entirely in "talking head" fashion, and punctuated with a kaleidoscopic blend of both newly shot and archival footage.

Nagito has a fetish for calligraphy on the human body and meets her ideal soulmate Jerome, an English translator sent to Japan. However, once Nagiko's father's gay publisher rejoins the scene, the story is overtaken by treachery and bloodlust.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.