Iniya Uravu Poothathu

Thankamma is heartbroken when her lover Shivaraman abandons her for his duties as a sailor. She marries another man and tries to settle down, but she learns that she is expecting Shivraman's child.

The film was launched by C. V. Sridhar in 1980 as a Cinemascope venture and was then titled as Sakthi. Sridhar collaborated with Kamal Haasan after the success of the 1978 film Ilamai Oonjal Aadukirathu, which had also featured Rajinikanth. The film was meant to be the first film which featured Kamal Haasan and Ambika as a lead pair and stills were released featuring Ambika in a swimsuit. The film got delayed and was put on the back burner, before it re-emerged in 1986 under the title of Meendum Suryodayam and shooting progressed. It was planned for an April 1986 release, which got postponed to May 1 of 1986. There was a local authority election in March 1986 and the Dravida Munnetra Kazhagam won seats. Sridhar felt that if the film released with the title Meendum Suryodayam (Rising Sun),

Raja is a petty thief living around the streets of Bombay, indulging in pickpocketing. In the same city lives Rani who makes a living through dancing. The two meet and fall in love. Raghu, the owner of a cycle company, lives luxuriously with his wife Sarala and children in Madras. Madhu, his manager, has been misappropriating the company funds with the help of his lover Manorama who Raghu is later attracted to. The company is soon closed due to losses, putting Sarala and her children in poverty.

Devi and Anita are best friends who once even help nab a killer. Anita loves Anand but he marries Devi. Their lives are disrupted when the killer breaks loose and seeks revenge from both the women.

The life of 2 friends suguna (Savitri) and chandram (Nageshwara Rao) is potrayed as they and people around them swing between happiness and misery ( denoted as light and shadow).

Vani gets used by her boyfriend Venu who sleeps with her and disappears soon afterwards. However, things get tougher when Vani's brother and sister-in-law die unexpectedly in an accident.

Together, Gopi and his brother are a power to reckon with. But Dorai, a jealous man, tries to turn them against each other and create the possibility of sibling rivalry.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'

The story centers on a doctor who discovers that the patient he is treating is the husband of his former lover.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.