Vai Que Cola: O Filme

Long before they socialized almost every day at Dona Jô's pension, Jéssica, Ferdinando and Máicol didn't even know each other. But when Terezinha decides to organize a big feijoada at Morro do Cerol, they all meet for the first time, in the most unusual way possible.

The Paradise Family House was renovated. Machadinho takes out a loan and goes into debt. He promotes Shirlei, who will have to keep Leleco in check to avoid unnecessary expenses.

The adventures, dramas and lessons learned from a smart, nutcase boy who uses a saucepan as his hat, in three stages of his life: with five, ten and thirty years.

Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.

Accused of murdering a millionaire, a man manages to escape. Finding help along the way, he starts a struggle to prove his innocence.

After studying in the capital, the young Cate, 18, returns to her small town in Minas Gerais, to teach in elementary school. Enthusiastic, free and communicative, she conquers the students in the act, but its leading behavior does not appeal to conservative teachers of the 40s. Every day she brings new ideas. While they discover the pleasure of learning, the school friends also have the first lessons about love, friendship and freedom. And the schoolmistress not only winning students: the most beautiful boys in town fall in love with her. Created by Tia Cida and niece of Bishop Aristides, Cate grew up with his uncle's godson, Beto, who became a priest and return to the city after studying outside.

Long before they socialized almost every day at Dona Jô's pension, Jéssica, Ferdinando and Máicol didn't even know each other. But when Terezinha decides to organize a big feijoada at Morro do Cerol, they all meet for the first time, in the most unusual way possible.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

When Ana, an influencer, crashes her car while talking on the phone, she's shipped to her grumpy grandfather's farm -- and forced into a digital detox.

After getting electrocuted by an MRI machine, an ambitious young medical student begins to hear the thoughts of others.

Henrique can't get over his breakup from Gabriela and, even a year later, he's so devastated that he can't get excited about anything or anyone else. To put an end to his suffering, he decides to take his own life, but as he doesn't have the courage, he hires a company of hitmen who have just one rule: Once signed and paid for, there is no turning back. However, after signing the contract, Henrique and Gabriela cross paths by chance and she discovers that she wants to get back together. Desperate to find out who will be his executioner, Henrique becomes involved in a path full of tense and miraculous situations in order to save himself and finally be with the woman he loves.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Graça receives an unexpected financial settlement and decides to take part of her large family on a trip to Araruama. The journey quickly descends into chaos as the group faces a series of misadventures: travel mishaps, unexpected encounters, and escalating comedic situations. Along the way, Graça confronts past relationships and family conflicts, leading to humorous and unpredictable outcomes. The story follows the family’s attempts to navigate these challenges, blending farce, misunderstandings, and coincidences, ultimately highlighting the chaos and unpredictability of a large family vacation.

A new school year begins; students are invited to the first music competition, but only one band can win.