Journey into the Past

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

A music-hall singer leaves his loving wife to run off with Delphine. The singer's wife and Delphine's husband make them believe that they love each other and the singer, already tired of his affair, wins back his wife's heart.

A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.

Professor Bock is to inaugurate the museum, the construction of which was donated by a generous patron who remains anonymous. He learns that it is his brother's wife, a former dancer, and whom he hates. But her daughter falls in love with Jim, the son of the ex-dancer, and everything will work out.

Silent version of a story later remade in French and German as Baby: A count's daughter wants a stage career, her show girl friend wants an education, so they change places.

Karl Geschwandtner, a porter in a large hotel, has only one wish: one day, he'd like to be the lord and master, as the saying goes: to be the porter and 'ruler' in the hotel. And luck helps him to temporarily fulfill his dream. But Karl doesn't just take over running the hotel, he feels the need to stick his nose in the life of his hotel guests, too. There are couples, who don't want to be put together or apart. When a valuable jewel goes missing, he plays detective and only succeeds in helping the thief to rob the hotel guests at his leisure. Pretty soon, chaos reigns at the hotel; there's massive confusion. Even the newspaper seller, Wally, whom Karl secretly loves, is slowly starting to mistrust him. When the director of "Hotel Europa" finally returns, he throws Karl out, who thereupon simply rents a room as a guest.

Marie, adopted as a baby by Warrant Officer Guippo, helps a smuggler escape because he saved his life previously. She finds him again in Paris while she is engaged to Count Bertrand.

Film by Karel Lamac.

Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

Ruritanian power struggle with opera singing.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.