Hans H. Zerlett

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

A young woman leaves behind her job, home and family to try to make it in the movie business. Features cameos from about three dozen German film stars of the era.

A music-hall singer leaves his loving wife to run off with Delphine. The singer's wife and Delphine's husband make them believe that they love each other and the singer, already tired of his affair, wins back his wife's heart.

Film by Karel Lamac.

Ruritanian power struggle with opera singing.

Karl Geschwandtner, a porter in a large hotel, has only one wish: one day, he'd like to be the lord and master, as the saying goes: to be the porter and 'ruler' in the hotel. And luck helps him to temporarily fulfill his dream. But Karl doesn't just take over running the hotel, he feels the need to stick his nose in the life of his hotel guests, too. There are couples, who don't want to be put together or apart. When a valuable jewel goes missing, he plays detective and only succeeds in helping the thief to rob the hotel guests at his leisure. Pretty soon, chaos reigns at the hotel; there's massive confusion. Even the newspaper seller, Wally, whom Karl secretly loves, is slowly starting to mistrust him. When the director of "Hotel Europa" finally returns, he throws Karl out, who thereupon simply rents a room as a guest.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

Marie, adopted as a baby by Warrant Officer Guippo, helps a smuggler escape because he saved his life previously. She finds him again in Paris while she is engaged to Count Bertrand.

Capricious Lady Virginia has an unexpected double in a girl who works at a fair and wishes for a beauty salon. When the first one's eccentricities lead to her arrest, the second is paid for going to prison. There she meets Charles, Virginia's suitor. When out of jail she will have to fight not only for him but for going through with the leading role in a skating show.

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

German all-star musical from 1938 that was a big commercial success.

A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.

With her daughter Anita, a young singer, the widow Marianne von der Halden undertakes a journey into the past. She wants to see her former admirers again. One of them is the chamber singer Paul Schneider, who only remembers his childhood sweetheart with irony. They meet the former student Werner Birkner at his wedding, where Anita meets the teacher Michael Brantner. But the encounters make no impression on Marianne. Until she meets her former great love again at a concert given by her daughter, the general director Elmers. The concert is a resounding success and Marianne reconnects with Elmers, who is still unaware that Anita is his daughter.

In this fast-moving fantasy, an unsophisticated student escapes from a boarding school to become, after many trials and tribulations, the "toast of Paris."

Silent version of a story later remade in French and German as Baby: A count's daughter wants a stage career, her show girl friend wants an education, so they change places.

Young Anny returns from school to her circus family, which runs a little venue at the town fair. When Anny suddenly has to fill in for one of the artists, her piano-playing not only enthrals the audience, but also theatre agent Horbes. He casts the whole family for the Apollo theatre in Berlin, where Anny quickly raises to stardom and is offered an engagement from the US.

A film actress falls for an extra on her set, he turns out to be a prince.

After the two vagabonds Robert and Bertram flee from prison, they get to know the innkeeper’s daughter Lenchen at the “Silver Swan” Inn. Because her father is in desperate need of money, Lenchen is to marry the creditor Biedermeier instead of her beloved military recruit Michel. In order to prevent that, Robert and Bertram travel to the capital and, under false names, manage to make their way into the house of the Jewish commercial advisor Ipelmeyer, to whom Biedermeier is deep in debt. During an evening costume ball, the bums steal the family jewels and give them to Lenchen’s father. Lenchen and Michael get married and Robert and Bertram flee in a balloon into the sky.

Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.

Professor Bock is to inaugurate the museum, the construction of which was donated by a generous patron who remains anonymous. He learns that it is his brother's wife, a former dancer, and whom he hates. But her daughter falls in love with Jim, the son of the ex-dancer, and everything will work out.