Sem Pena

Using a mixture of film clips and interviews with Ozualdo Candeias himself the film tells the director's 40 year trajectory.

A word or phrase whose meaning does not change whether spelt backwards or forwards. A young man loses everything he has in one day. He is fired from his job, kicked out of his hotel, betrayed by his colleagues and turned down by an old flame. We see this ordinary tale told backwards in time

In the middle of his crazy day, a man tries to remember if he closed a window at home.

Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a carpentry from his father and a taste for the pool. When a traffic accident crosses the parallel trajectories of the two, the imponderable imposes itself and the uncontrol begins.

Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012 and a vast amount of archive footage, this film offers a general look at Coutinho's work and testifies how the filmmaker’s thinking still stand the test of time to this day and age.

The story of a photograph: A single mother, an absent father and a child.

While out for a walk in the countryside, Marina and Juvenal stop to take some pictures in front of an old woman’s house. Annoyed, the old woman turns out to be a witch and casts a curse on the young couple in the form of a wound that feeds on raw flesh.

Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.

On the first year of a far right government in Brazil, Joder decides to investigate his health after moving to Brasilia for work.

The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.