A Última Praga de Mojica

Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012 and a vast amount of archive footage, this film offers a general look at Coutinho's work and testifies how the filmmaker’s thinking still stand the test of time to this day and age.

The story of a photograph: A single mother, an absent father and a child.

In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.

A wind farm employee meets a girl at a town party and they go for a motorcycle ride.

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

Republic of Judges presents a panorama of central events in Brazilian politics from recent decades, such as the Constitution of 1988, the Mensalão Trial and the Car Wash Operation, to analyze the phenomenon of the recent participation of the Judiciary power in the current power framework in the country.

The documentary shows the history of the emergence of some of the first film courses in Brazil and their fundamental role in the development of national cinema. Featuring stories from professors and students of these pioneering courses and a vast use of archive materials, the film presents initiatives that sought to bypass financial and political problems to make Brazilian cinematography possible and train its new generations of filmmakers.