Good for Nothing

In this entertaining drama, "Carefree Giovanni" (Sergio Castellitto) is the beleaguered last heir to a dukedom closely associated with the great artist Leonardo da Vinci. As the curtain opens, one of Giovanni's ancestors drops dead when he hears that Leonardo has died. Cut to the present, and the last duke in this line, Giovanni, is miserable in a home shared by two older women who browbeat and badger him without mercy. Giovanni's one solace is to go up on the rooftop and gaze out at the world around him as he daydreams. He has a special passion for the lovely Claire (Eleonora Girogi) who lives next door. To show his sincerity, he zooms off paper airplanes in her direction. However, these missiles are made from actual letters written by the great Leonardo himself. Could this man be last link in the lineage that started 400 years earlier?

Peppino, a diminutive taxidermist with a reputation for sleaziness, meets Valerio, a handsome if artless much younger man fascinated by the trade. Peppino offers him a large salary to be his assistant—the job burgeoning into a budding friendship he mistakes for something more. When Valerio gets a girlfriend, their fledgling romance will be threatened by an insanely jealous third wheel.

Directed by Felice Farina.

Rome, Esquilino, summer. Rossella returns to Rome after years of absence and returns to her home, rented to her friend Salvatore, the set designer. The woman is gripped by an evident depression and wanders around the city that she does not recognize and that no longer recognizes her. People have changed and Rossella finds no one capable of answering the obsessive question that has plagued her for some time: "How can I disappear?"

An inside look at Italy's modern-day crime families, the Camorra in Naples and Caserta. Based on a book by Roberto Saviano. Power, money and blood: these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice and are forced to obey the rules of the Camorra. Only a lucky few can even think of leading a normal life.

Broke, and armed only with his sense of humor, middle-aged Gianni lives with his mother in their old apartment. The debts are mounting, but if Gianni looks after the building manager's mother during the Ferragosto, a mid-August holiday, all will be forgiven.

Three Italian retirees embark on a journey to find a new country to live in.

Vittorio is looking for a woman who matches his ideal. Through a classified ad he meets Sonia, a sweet, pleasant, intelligent girl. However, she weighs 125 pounds -- which according to Vittorio is way too much. A goldsmith by trade, Vittorio is obsessed with the desire to shape Sonia's body and mind as does a fire with gold. Almost imperceptibly Sonia becomes a passive participant and the relationship grows into a reciprocal masochistic game. When the two lovers isolate themselves in a country house in the Veneto hills, they dangerously lose touch with reality and the rest of the world.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Gheni and Gherti, two young Albanian immigrants who live in Rome and work in a restaurant, settle in the home of the photographer Corrado, who makes friends with the first. In a torrid and empty city for the summer holidays Gherti, more restless, binds with Lino, an old Sardinian who every day accompanies his mentally ill wife to the city. Gheni instead continues his little "climb" in the restaurant and strengthens his friendship with Corrado.

Astolfo, a retired professor evicted from his apartment, decides to move into an old noble but decrepit palace, the last remnant of his family patrimony in a remote village of Abruzzo, where he hasn't been for decades. Soon enough, as a newcomer, he befriends a vagabond, a retired chef and a young handyman. A group of four live harmoniously at his place when he comes across Stefania, a charming and generous woman of his age. Astolfo falls in love and struggles with feelings he thought belonged to the past. Encouraged by his loyal group, Astolfo makes a brave step and learns delightedly that it's never too late to fall in love.

Gianni is sixty. He is retired but has not become lazy for all that. In fact he is a helpful fellow who gives a hand to all those who need one: shopping for his wife, walking the pretty neighbor's dog, and so on. Everybody likes Gianni, but is it for the right reasons? Doesn't his wife profit by the situation (she still works so it is only logical that Gianni do all the chores)? Isn't he subject to the excruciating whims of his rich mother?... Sure, everybody LIKES Gianni, but who LOVES him? Agreed, being kind to them, he is the ladies pet, but he does not attract them anymore. That is why, when his macho lawyer friend Alfonso blames him for not having young mistresses "like every other senior Italian male", Gianni, who is beginning to ask himself questions about what it is like to become old, starts chasing dames.

A retired professor in his seventies enjoys a quiet, carefree life – until his daughter, amid a marital crisis, arrives with her two unruly children. As his peaceful routine unravels, he’s drawn into the chaos of family and unexpected emotions. Through this upheaval, he rediscovers the beauty and pain of love, and the deep human need to connect—despite the cost.

Part interview, part monologue, part documentary with Nanni Moretti talking about his work.