Die heimliche Gräfin

The young opera singer Carla is in love with the talented young composer Michele, who wants to make it big with classical music and writes his first opera, "The Return of Odysseus," for Carla. But Carla is more successful than he is and gets a gig at La Scala in Milan. Through her connections, she manages to find a publisher for Michele's opera. But when Michele learns what the publisher really thinks of his work, he leaves and abandons Carla. A year later, Carla finds Michele again. He has since become a sought-after composer, but is embittered because he is only successful with pop songs. His new revue "Dream Music," a reworking of his opera, is about to premiere. Carla then arranges for Michele's original opera to premiere in Budapest with her in the lead role.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.

The magic of the circus stables. Controversies and small private conflicts between the artists, clowns and entertainers.

Jimmy Bolt, a singer and dancer (and occasionally as a waiter) works at a varieté. The man may be talented, but he’s not exactly a big success, and things get complicated when a young orphan girl falls in love with the voice of another singer but then mistakes Bolt for him…

In unconditional fatherly love, an old shoemaker clings to his son, a spoiled good-for-nothing. After the Filius has ruined the respected shoe shop, he gets further and further down the wrong path without opening his father's eyes.

In post–World War I Europe, drifter Jim Jeffries, son of a disgraced stock speculator, stumbles into high society at a London palace card party and parlayed his luck into wealth, only to lose it all in a cutthroat Chinese port and end up in prison. Upon release, he secretly marries the resourceful Jane, reinvents himself in America as Riche Richson, and, newly prosperous, reunites with Jane, now companion to a millionaire’s daughter, on a whirlwind transatlantic adventure that proves fortune can favor the bold.

A biopic of the singer and film actor Joseph Schmidt. The title is a reference to his best-known song and a 1933 film of the same title in which he starred.

Jenny, a cheerful kitchen maid at the Paris-style Palais de Luxe, is hopelessly in love with charming head waiter Jean—only to be stood up when he forgets their planned tryst in favor of the hotel’s glamorous dancer, Lola. Humiliated and on the verge of arrest for “stealing” champagne, Jenny hides backstage where she’s mistaken for a performer, wows the crowd with an impromptu dance, and finally wins Jean’s heart.

An impoverished count has to work as a chauffeur but because of his good looks attracts women, one of them wealthy enough to solve his problem.

Eva goes to Budapest to visit her friend Tini's wedding but as soon as she arrives, the husband-to-be breaks up with Tini. When Eva decides to take things into her own hand and follows him to the Hotel Atlantik.

Silo is a bum; but he's a bum whose beloved by all and one day, he is found wounded on the banks of the Theiss. Fishermen take him back to the village and Maria, Alexander Renka's young wife, cares for him until he gets better. Silo's wound heals, but he decides to stick with the fishermen to find out who the intended target for the stabbing knife really was (for who would stab a beloved bum?). Maria's husband is acting really strange. He is away from home often and can be found very often near the hut of the gypsy Panna, who can allegedly bewitch any man she pleases. Maria is convinced from her womanly intuition -- never mind asking -- that her husband is doing the dirty with the gypsy and decides to abandon him and the town she lives in. With her brother, she returns to her homeland, the steppe. That same morning, Alexander Renka is found dead on the riverbank and he's been stabbed, too.

A criminal organizes train crashes to discredit the railway in favor of a rival bus company. The stunts in this film were groundbreaking for 1920s British cinema. A scene which has been described as "the most spectacular rail crash in cinema history" was recorded by 22 cameras.

A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

A film actress falls for an extra on her set, he turns out to be a prince.