Oskar Sima

Pseudonym Dr. Falke follows his wife through disguises and deceptions in postwar Vienna.

In a harbor bazaar of the Pacific town of Kona, the young sailor Kiwe is offered a mysterious bottle, which supposedly gives her owner power and wealth and should fulfill all his wishes. The required return is however high. From now on, the soul of the new owner belongs to the devil.

The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.

In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.

The literal English translation of the German-titled film here is "The Hostess of the Lahn." Suzanne (Terry Torday) is the beautiful redhead who runs an inn in the town of Giessen. She is the subject of many inspirational love songs by the student population. The lyrics also reflect the Germans' resentment and hostility toward the French occupation by the army of Napoleon. Suzanne appears in various stages of undress.

Agathe Zausel doesn't have it easy. Not only could her doll factory be running better, but her sons-in-law Fred and Otto also seem to have nothing but fantasies on their minds instead of devoting their full attention to the family business. Fred has taken it into his head to secretly compose pop songs, while Otto is secretly designing a rocket plane. As they both try to keep their pastimes a secret from Agathe, she can only fear the worst.

The love between a noble student and the daughter of a coffee house owner, set against clichéd images of Munich at the turn of the century.

Christl, the forester’s daughter, apprehends a young hunter in the forest and only lets him go after he pays a small fine. But when Christl goes to the emperor shortly afterward to plead on behalf of her beloved—a Hungarian officer who has fallen out of favor—she can hardly believe her eyes: the young hunter was the emperor.