Stille Wasser

What does modern art mean for ordinary visitors to an exhibition?

Konrad, his sister Nina, and their friend Ito drift through the eastern Mediterranean in search of drugs, moving between decaying ports and shabby hotels. They steal, deal and sell their bodies to survive, while emotionally detached Konrad remains seemingly untouched by the increasingly destructive life around them.

A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...

Vignettes of the lives of several residents of a Vienna suburb during a heat wave.

Dölken, Ivo and Sichel, three amiable and harmless inmates of a mental asylum are off to spend the summer in an open institution in the country. The trip they have been looking forward to for so long ends abruptly when the driver of their bus suffers a heart attack. The three men quite naturally assume that they have reached their destination and find somewhere to stay in the nearest village.

Think of a really nice person, a friend of yours, someone who could never hurt a fly. Imagine finding out that he is supposed to have killed someone. You're told that he has shot a person in a bar, for no obvious reason. He has already confessed. He says the murder was planned. He expects a life sentence. He even longs for it. He wants to pay for his crime. The psychiatrist cannot see any mental illness. People around him don't think him to be evil. They like him. They want to help him and protect him from himself. And they all ask the same question: Why....?

Kino Classics and Lobster Films celebrate the legacy of Max Linder, a pioneer of comedy whom Charlie Chaplin referred to as "the great master." With his trademark silk top hat and cane, the French-born Linder blended slapstick with sophistication, and invested his films with a layer of cleverness that elevated them above mere knockabout comedies, paving the way for such multi-dimensional screen comedians as Chaplin, Buster Keaton, and Harold Lloyd. The collection includes four of Linder's American-made productions, meticulously restored from archival materials: THE THREE MUST-GET-THERES (1922, a parody of The Three Musketeers), SEVEN YEARS BAD LUCK (1921, a masterpiece of physical comedy), and the romantic farces BE MY WIFE (1921) and MAX WANTS A DIVORCE (1917). THE THREE MUST-GET-THERES U.S. 1922 Color Tinted 57 Min. Written and Directed by Max Linder