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Today, I get the sack.

2014 · 103 min · ★ 7.2 · Drama

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

Directed by Boo Ji-young · Written by Kim Kyung-chan

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The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...
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The actors start to shoot themselves after they receive the cameras. Kim Kkot-bee goes abroad to shoot her friends from Breathless. She throws parties with her friends there and shoots a film. She also has a good time with her dear sister and brother. When Seo Young-ju finished her busy life with a performance as an actress and an assistant director after shooting a film, Seo leaves on a trip overseas to hibernate. She is thinking what she as an actress should do for the health of the earth. But her loneliness cannot be solved. Yang Eun-yong loves someone, but cannot contact with him. She drinks because of her agony, but cannot resolve her loneliness and thirst easily. However, there is the film in the center of them. Though it is tough, they reveal and discover their new faces through their films, the source of their energy. There is something in the actresses in the shaking cameras; that is what they are looking for.
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