A Venetian Night

Earlier version of Reinhardt Orientalist pantomime, later remade by Lubitsch: a pathetic hunchback performer and a flirtatious dancing girl get involved at the court of a despotic Arabian desert sheikh, complete with sinister eunuchs.

When a wayward nun, Megildis, deserts her convent with a knight, a statue of the Virgin Mary comes to life and takes place of Megildis, who makes her way through the world and its many vicissitudes.

Mistaken identity, unrequited love, and the supernatural are combined in Shakespeare's classic set in the woods of Greece on a moonlit night.

Max Reinhardt’s second and last silent film. It tells the story of two young girls (Cheerful & Shy) who, in order to escape their father’s authority, reaches an island of wonder filled with gods, nymphs, fauns and other creatures.

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

The story of Kurt Weill 's relationship with the American popular theatre. During his years in exile on Broadway, the composer of Mack the Knife and The Alabama Song, who personified decadent Berlin, found a new life in New York, creating such standards as September Song and Speak Low. Director Barrie Gavin describes the film as "the history of an artist ... struggling to write music which could have real meaning for the society he had just joined." Weill is remembered by the conductor Maurice Abravanel and the actor Burgess Meredith and there are extracts from several of his works.