Maria Carmi

Thérèse’s husband, Camilo, is sickly and egocentric, and when the opportunity arises, Thérèse enters into a turbulent and sordidly passionate affair with one of Camilo’s friends, Lorenzo.

When a wayward nun, Megildis, deserts her convent with a knight, a statue of the Virgin Mary comes to life and takes place of Megildis, who makes her way through the world and its many vicissitudes.

In 17th century Sweden, as is tradition, a magistrate's widow will take over her husband's job for a year after his death. This causes great difficulty when someone she cares for must be sentenced for the crime of murder.

After finding her sister dead, Maria tries to find out who or what is to blame.

A countess decides to get rid of a nosy stranger by luring him into a castle dungeon.

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

Paolina is the illegitimate daughter of the Duke of Vallenza, and lives as a beggar. She meets with Nunzio, a blind man who plays violin, exploited by his stepfather, and the two fall in love. The old Duke, remorsing, tries to find his daughter but he doesn't manage and leaves everything to his latest concubine, Livia, while Nunzio and Paolina will live in misery. The only copy of this film was destroyed in World War Two