Masayuki Mori

Four people recount different versions of the story of a man's murder and the rape of his wife.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

As Japan joins in a political pact with Nazi Germany and fascist Italy, Admiral Isoroku Yamamoto is appointed supreme commander of the Japanese fleet. With Japan headed inexorably toward war, Yamamoto, despite his misgivings, believes the only possible victory lies in destroying the American fleet by surprise at Pearl Harbor. The attack succeeds, but fails to sink the American carrier fleet. Thus Yamamoto must lead the Japanese navy into war with ever-diminishing likelihood of success.

In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

A fugitive lord and his six retainers disguise themselves as monks to bluff their way through a hostile checkpoint.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

In 1945, in a Shanghai filled with a palpable sense of unease as the war was still raging, Atsuko Kijima and Ryuji Kudo fell in love and exchanged promises of marriage. Ryuji was deployed shortly thereafter, and after the war ended, he was taken to Siberia as a prisoner of war. Atsuko, who had returned to Tokyo, clung to the promise she had made with Ryuji—that if he were safe, he would “come to the garden of St. Nicholas Cathedral at noon on Christmas Day.” Relying on that promise, she went to St. Nicholas Cathedral at noon on Christmas Day in both 1946 and 1947, but Ryuji never appeared.

After a salary-man's fiancée attempts suicide, he recounts his gruesome family history which saw generations of his ancestors suffer and sacrifice themselves for the sake of their cruel lords.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

Fumiko, mother of two and wife to an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In her final stages, Fumiko meets a young journalist from Tokyo who wants to write a story on her experiences.

The blind masseuse is targeted by the leader of a powerful yakuza group while also fending off a jealous husband bent on revenge. Zatoichi tours Edo's underground via a rousing onsen fight scene, gambling houses and the gender-bending character of Umeji, before a final, flame-filled conflagration.

A few years after his breakthrough, Sanshiro resumes his path to judo mastery—testing his discipline against an American prizefighter and later facing vengeful karate brothers. As rival schools and public spectacle push him toward violence, he must reconcile strength with restraint and the true spirit of his art.

A young man leaves his widowed mother on her improverished farm and makes his career in the Japanese navy.

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.

Masuda Toshio film starring Watari Tetsuya and Mori Masayuki, about a lone-wolf type (Watari) seeking love and defending the honor of an elderly widower (Mori).

A mystery story set on a haunted island: a student is murdered, followed by the suicide of his lover.