White God

The film homes in on a relatively taboo subject which also seems to be a rising phenomenon in recent years: teenage suicide. Written by the director, the story revolves around a class of high schoolers who are attending a summer camp. Restless 18-year-old Milán is preparing his very own showdown. A love triangle is forming between himself, Anna and Dani. The tension mounts during a hike, at the end of which the three of them are sent home. The question of their feelings remains unresolved, and the showdown never happens. One year later, following graduation, the camp takes place once again. But Milán is no longer with them: he took his own life during the previous semester. His classmates remember him and struggle to process their loss…

Jeanne's beautiful breasts spill out from her torn clothes, and her gouged internal organs lie beneath. The contrast between death and eroticism is captured in a profound image. The opera that unfolds in the underground ward comes to a powerful catastrophe with jazz-like dissonance. Are they the living or the dead, shedding blood and singing in high spirits? The director comments, "This film will be the beginning of a new contemporary opera film“.

In 1979 Manhattan, a young man is arrested for a shocking crime — and an unlikely investigator must solve the mystery behind it.

When a young mother's home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss.

It’s summer in Budapest, high school student Abel is struggling to focus on his final exams, whilst coming to the realisation that he is hopelessly in love with his best friend Janka. The studious Janka has her own unrequited love with married history teacher Jakab—who had a previous confrontation with Abel’s conservative father. The tensions of a polarised society come unexpectedly to the surface when Abel’s history graduation exam turns into a national scandal.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

Six young filmmakers from Central and East Europe developed shorts about the theme of 'generation'.

As if we were in a small town. An ordinary day in a kid’s life. An incredibly hot day. Here everything is unique. One gang. One game. One field. One girl. In the span of one day, how can this boy arrive at such a changing point in his life from which there is no return?

Tracing three generations of a family that is unable to process its past in a society still coping with the wounds of its history, from a surreal memory of World War II to modern-day Berlin.

"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

A young refugee, Aryan, is shot while illegally trying to cross the Hungarian border. While tending him back to health, a doctor at a refugee camp discovers that Aryan has gained an extraordinary talent—he can levitate. Aryan is smuggled out by the doctor, who is intent on exploiting his secret.

Peter returned from prison in his native city, in the hope that it will begin happy days. With surprise he learns that his sister became a foster mother to the newborn boy, but a real mother of the child - extravagant and slutty Maya wants to take it back. Peter falls in love with Maya. He's torn between his girlfriend and trying to manipulate sister. But he has to make a choice, and the happiness was so close, melt into thin air.

A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new place by building a new home for himself on the delta. But when his sister moves in with him and the two begin a romance, there are tragic consequences.

Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.

Bruno, a bisexual but closeted young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother Ringo. Mari doesn't know that when the boys go off to work together in the city they raise cash by turning tricks and burglarizing houses.

Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.