Nuts in May

A quiet and put-upon house cleaner breaks her silence.

Trevor is an extremely shy undertaker's assistant. He always tags along with his good friend Ronnie, when he goes to the pub with his girlfriend Sandra. Sandra introduces Trevor to her more forward friend Linda. Linda has a difficult time getting Trevor to go out with her, but she finally gets him to go to a disco; he won't dance, so Linda dances with Ronnie.

Beverly and Laurence are entertaining their new neighbours, Angela and Tony as well as Sue, whose teenage daughter, Abigail, is having a party. Over drinks and small talk, class differences and relationship difficulties emerge.

Slice-of-life look at class divisions among employees of a brokerage house. Alan, with his portrait of the Queen and love of the peerage; his wife April, who raises cats; youthful and pretentious friends Nigel, Giles, and Anthony, who gather for a wine-soaked dinner party with the chatty and risque Samantha and the mousy Caroline; the plummy Lord and Lady Crouchurst, in a spot of bother needing the help of Francis, a senior partner, to assist with the family's cash flow. Alan comes home from work to find Mr. Shakespeare doing a photo shoot of one of April's cats and a wealthy stranger, Miss Hunt, waiting to purchase one. His instincts for sycophantic palaver kick in.

Three postal workers and their dysfunctional families interact over cups of tea and Sunday dinner.

In 1975, the BBC hired Mike Leigh to create a series of Five-Minute Films. Leigh, a master of kitchen sink naturalism, explained his garrulous bursts of plot and character: ‘I thought it was a cracking idea, and I would have done forty of them or fifty ‘ so you’d see them all the time, and sometimes you might see a character you never saw again, sometimes you might see somebody popping up for a moment and then be a main character in another one, or there’d be a couple of ones that would run on to a narrative. It would be a whole microcosm of the world. There was debate about whether they should be shown at the same time or they should be dotted around the channel, like currants in the pudding, as Tony Garnett, the producer, called it.’ Although these were made in 1975, they were not broadcast until 1982. Mike Leigh had originally intended to make around 50 of these five-minute stories, but only these five pilots ended up getting made.

After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.

Jim Broadbent wrote and starred in this short film directed by none other than Mike Leigh. As a member of the landed gentry, the 23rd Earl of Leete has a duty to maintain and expand his lands. Shot in the style and manner of a BBC documentary, Broadbent tells his family history to the crew, who slowly come to realise - as do we - that things are not what they seem.

An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.

BBC series based on the novels by Georges Simenon which starred Rupert Davies as Inspector Maigret, a French police detective who preferred to watch and listen in order to solve crimes. The series ran from 1960-63 on British television.

Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.

Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.

During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.

A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.

In Notting Hill's jazz club, coffee bar and bedsit land of the early 1960s, Joe Beckett is a young unemployed misfit and drifter whose life takes a turn for the worse when he encounters Richard Dyce, an ex-army officer.

A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, where a peaceful pro-democracy rally at St Peter’s Field in Manchester turned into one of the bloodiest and most notorious episodes in British history. The massacre saw British government forces charge into a crowd of over 60,000 that had gathered to demand political reforms and protest against rising levels of poverty.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

A young college student in London moves into a flat and becomes best friends with a flatmate; the former moves into her own flat 4 years later but 6 years after their parting, the former returns to London to pay the latter a visit.