Eric Allan

A German U-Boat commander plans a daring escape from a PoW camp in Scotland.

Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

A middle-class couple go camping in Dorset, but peace and quiet elude them.

Jack Lawrence and Jimmy Dunne were once, briefly, enemies at opposite ends of a gun on the Irish border; now their lives have become inextricably mixed. They are together on a chat show whose host wants a sob story with a happy ending, but gets something entirely different.

Nobody goes to Amsterdam to wander about. It's either the Rijksmuseum or the red light district. On the boat going home, Clive and Stewart admit to not having spot long in the museums - so what did they get up to in Amsterdam?

Jonathan Cake, Jemma Redgrave and Hugh Bonneville lead an outstanding cast in this mini-series tracing the turbulent political career and tempestuous private life of Oswald Mosley, leader of the British Union of Fascists during the 1930s. The mini series charts Mosley's rise to political notoriety through his personal life – from youthful rising star of the Conservative Party to potential leader of the Labour Party, and later abandonment of conventional party politics to become a figurehead of burgeoning fascism.