A Lost Life

By coincidence, a couple who have just fallen in love are targeted by the Russian mafia, who have made a deal with a shady Berlin businessman and a corrupt politician. When the young woman is kidnapped, her boyfriend sets off on a dangerous search for her.

The film is based on the memoirs of Hamburg burglar Julius Adolf Petersen (1882-1933), who became famous as "Lord of Barmbeck". Petersen owed his status as a folk hero to the fact that he did not use any physical violence during his raids and only stole from rich people. After several times escaping, Petersen was finally sentenced to a long prison term. With no prospect of release, he took his own life in 1933.

A run-down former radio producer persuades two quarrelsome 1950s stars to try their comeback on nationwide television...

In the Danish port city of Belgesund, the caretaker of a private high school has fallen victim to murder. Detective Thomsen takes on the case and finds that behind the clean facade there are abysses. He has five suspects in mind: the teacher Berling, who is having a relationship with a student, the twin brother and sole heir of the murdered man, the murdered man's shady roommate, the primary school teacher Klaus Erikson and his brother Jakob.

72 years old Martha Jellneck lives alone in a small apartment in Hamburg. Since she's hampered in walking, she never leaves her home. Her only contacts to the outside world are the young social worker Thomas and a neighbor boy who walks her dog. When Thomas tells her one day that Franz Laub, another one of his clients, has his birthday, she becomes suspicious: that was also her half-brother's name and day of birth - only that he died in WW2...

A singer flees from Nazi Germany, travels to Paris and befriends a young writer, his lover and a professor.

Stefanie is flirting with an architect from Rio who could be her dad.

A doctor goes to meet a beautiful girl at a park bench near a wooded area. When he arrives, he finds her battered body lying next to a stream! He then finds himself to be the prime suspect. Who's the killer?

Inge works in a department store as a saleswoman in the women's fashion department. She suffers from the cramped conditions in her parents' house, where they save money because her choleric father, a miner, dreams of owning his own house in the country. She despises life in the Ruhr area where the air is always sooty black and she is dissatisfied in her relationship with the miner Wolfgang. A sudden change occurs when her boss organizes a fashion show in the department store. He personally selects a group of female employees and sales assistants to appear as mannequins. Inge is praised for her figure and appearance and is even allowed to present the wedding dress at the end of the fashion show. Wolfgang wants to surprise her after the fashion show: he has also bought a motorcycle for her (on credit). Inge is short-tempered, however, as she and the other mannequins have been invited to a party at his house after the fashion show by the well-off Günther...

Ironies abound in this extremely sad melodrama about Elif, a Turkish immigrant in Germany who has been sent to prison for murdering her abusive husband. At the time of her imprisonment, she has never ventured outside the Turkish community, and even there has had no friends because of the demands her husband placed on her. She speaks no German. Now, in a place which most people find to be hell on earth, she gains a never-before known taste of freedom among these strangers, who don't even speak her own language. Unfortunately, as a "guest worker," she is horrified to discover that she is soon to be transferred to the horrific prisons of Turkey and will stand trial there for her crime, which will be much less understandingly dealt with in her home country than it would have been in Germany. The false paradise she must say goodbye to is her German prison.

Academy Award winner Istvan Szabo brings to the screen Offenbach's operettas set against the backdrop of power and intrigue in 19th century Paris. Offenbach's Secret follows the staging of Croquefer and Les deux Aveugles at the Theatre des Bouffes-Parisiens founded by Offenbach in 1855. Limited by French law to one act with no more than three singers, Offenbach's early operettas were filled with biting social commentary and poked fun at the moral ambiguity of France's Second Empire under Napoleon III. In addition to Offenbach's vivacious music, the film features lush costumes, period details, and striking set designs.

Three children and their Grandpa are on a kayak-outdoor trip in the middle of nowhere, when their Grandpa suffers a heart attack in the wilderness - to rescue themselves and their Grandpa the children have to help themselves and fight their way back to civilization.