Marius Müller-Westernhagen

Acting

Marius Müller-Westernhagen

Born December 6, 1948 · Düsseldorf, Germany (age 77)

Marius Müller-Westernhagen is a German rock musician and former actor. With around 12.1 million records sold, he is considered one of the most successful German musicians.

Known For

Filmography

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The Second Awakening of Christa KlagesThe Second Awakening of Christa Klages · 1978
The Second Awakening of Christa Klages
6.11978
MovieDrama
Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.

Werner Wiedemann

Beckenbauer. Der letzte KaiserBeckenbauer. Der letzte Kaiser · 2024
Beckenbauer. Der letzte Kaiser
7.02024
SeriesDocumentary
The three-part documentary “Beckenbauer – The Last Emperor” chronicles a life so exuberant it feels as though it were more than one. Torsten Körner, who co-wrote the highly acclaimed biography “Der freie Mann” with Franz Beckenbauer 20 years ago, has crafted a historically precise, at times nostalgic journey through life that connects Beckenbauer’s private life with his public one, the real with the imaginary. From Munich’s “Giesing” neighborhood—known as the “Glasscherbenviertel”—to the hearts of the German people and ever higher, all the way to New York; from the 1966 World Cup to becoming a global figure; and as the “Emperor” and a “beacon of light,” to the most famous German in the world: “Beckenbauer – The Last Emperor” illustrates, as rarely before, what constituted the modernity of both the soccer player and the “pop star” Beckenbauer.