Jhoothi

Sunil leads a poor lifestyle along with his widowed mother, and two school-going siblings, Anu and Tikku. He gets married to Lakshmi, who soon gets pregnant. Anu graduates from school and each of the family make individual sacrifices so that she can attend college. During Diwali, Lakshmi falls down the stairs, is hospitalized, has a miscarriage, and will never be able to conceive. Sunil decides to keep this a secret from the rest of the family, but subsequently confides in his mother. When Lakshmi finds out she wants him to re-marry, but he refuses. Then Tikku is sent to live with his maternal uncle for a few days. Shortly thereafter the family will be faced with three crises as Anu prepares to elope with a wealthy fellow collegian, a death, and a theft.

Chandran has struggled long to find a job. Eventually, he gets a job aboard a ship that's sailing to the Andamans.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

At an orphanage, Kailashnath identifies Vijay as his biological son and takes him home. Years later, a man named Ashok arrives and claims to be Kailashnath's real son.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

A head injury causes a woman to regress to childhood. Lost and confused, she is eventually befriended by a school teacher. A Hindi remake of the 1982 film "Moondram Pirai" by the same team.

A popular singer encourages his wife to sing, but tensions mount between the pair when his career begins to falter and her own musical career and popularity surpasses his own.

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

Based on the Bengali novel of the same name by Bengali writer Ashapoorna Devi

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

Abhyankar is an orthodox head of his family, a retired police officer, he has values which he wants his family to also uphold. As a result of his values, his daughter is unable to be forthright and is unable to introduce the young man she loves. She concocts a scheme whereby her father would approve of her lover. What results is quite hilarious.