Come Drink with Me

Golden Swallow revolves around the further adventures of its title character. This time around, she is forced into violence when a figure from her mysterious past goes on a killing rampage while leaving evidence that holds her responsible. Golden Swallow also makes room for a love triangle involving a mad, but righteous, swordsman named Silver Roc and a gentle warrior named Golden Whip. The three team up to conquer the evil forces of the martial world, but their joint venture only lasts so long, due to the two men's egos. Ultimately, a duel to the death is planned between them, leaving Golden Swallow caught between two men, both of whom she admires.

A Shaw Brothers comedy starring Peter Chen Ho and Grace Ting Ning.

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.

Set in the early 1970s, it tells the story of a Chinese-Japanese student who returns to her native Hong Kong after graduating from a university in London. Once she arrives back home, she and her family begin to fight, largely due to cultural and societal conflicts between her mother and herself.

Yang Hui-zhen, a mysterious princess on the run from corrupt government officials, is joined in her endeavors by skilled Buddhist monks and an unambitious painter named Gu Sheng-zhai.

Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!

A traveling scholar is intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.

China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.

It's the 10th century BC, the emperor is not well, and the medicines he is receiving from con artist "Immortal Li" are in reality only making him worse.

In Ming Dynasty China, the retiring abbot of a Buddhist monastery invites two dignitaries to help him choose a successor, not suspecting that both of them have hired help to steal a priceless parchment kept in the temple.

A kung-fu manual known as the Sacred Scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.

The hunt for The Swallow Thief.

Linda Lin Dai and Fanny Fan join the dancing troupe of Kao Pao-shu. Linda and Kao's son Peter Chen, manager of the troupe, have misunderstandings and dislike each other.

A righteous husband-and-wife swordfighting duo struggle to protect China from the machinations of Japanese pirates and corrupt officials.

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.