All the King's Men

Angel is a pretty young girl who debates in a furious manner at a Women's Day Meeting against the unequal law of the Ching Dynasty which permits Chinese males to have concubines. This leads to a series of complications that affects those close to her including her younger sister.

King and prison escapee join forces. Hsu Feng & Carter Wong Play Yuan Loyalists who thwart an attack from the Mongol General and Mantis Master Chang Yi.

Yang Hui-zhen, a mysterious princess on the run from corrupt government officials, is joined in her endeavors by skilled Buddhist monks and an unambitious painter named Gu Sheng-zhai.

Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!

A traveling scholar is intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.

China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.

In Ming Dynasty China, the retiring abbot of a Buddhist monastery invites two dignitaries to help him choose a successor, not suspecting that both of them have hired help to steal a priceless parchment kept in the temple.

Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.

A kung-fu manual known as the Sacred Scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.

The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.

Linda Lin Dai and Fanny Fan join the dancing troupe of Kao Pao-shu. Linda and Kao's son Peter Chen, manager of the troupe, have misunderstandings and dislike each other.

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

A righteous husband-and-wife swordfighting duo struggle to protect China from the machinations of Japanese pirates and corrupt officials.

Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Golden Sparrow is a fighter-for-hire who has been contracted by the local government to retrieve the governor's kidnapped son. Holding him is a group of rebels who are demanding that their leader be released from prison in return for the captured son. After a brief encounter with the gang at a local restaurant, Golden Sparrow is joined by an inebriated wanderer Drunken Cat who aids her in her mission.