Nora

A musical film based on biographical facts about Clara Wieck's love for composer Robert Schumann (1810-1856), her marriage against her will, Schumann's triumph, and his tragic end due to mental illness. The film is beautiful and entertaining, full of noble spirit and beautiful words about art and love, which only conflict in a theoretical context; not least thanks to its solid cast, this film is quite serious and far from kitsch. Completed in 1944, during World War II, the film was rejected by the Nazi leadership, but was eventually released and enjoyed success with an audience already weary of war.

A woman with a troubled past connects with two refugees while working at a homeless camp after World War II.

Helga, a stewardess, meet a passenger, Eric, during a flight to Athens. They fall in love, but he is married. Later Helga is involved in a flight crash. One of the severely injured passengers is Eric's wife Maria.

A clearly confused girl is found wandering around Stuttgart and can't be understood, because she's speaking in a foreign language. The police take her to some doctors, who eventually believe they're dealing with a Tibetan. Doctor von Aldenhoff takes the stranger in and begins to educate her according to western European standards. In her new home, the girl, Luscha, gets to know Robert Lorm, a rather well-travelled man, and falls in love with him. Eventually, she decides quite unilaterally that they're going to build a new home and life together. A plaster of paris mask of the girl's face is made for the doctors to keep as a remembrance of Luscha. But as soon as the mold is removed from her face, she suddenly seems to become an entirely different woman.

An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.

Second part of two of the saga of the troubled Buddenbrook family and their business in 19th century Germany.

Two married women musicians get work on a cruise ship; their husbands dress as women to be able to join them.

In 1885, famous New York Metropolitan Opera singer Maddalena dall' Orto is scheduled to perform at a festival in the German residence of Ilmingen. It soon becomes obvious that she is non other than Magda von Schwartze, who left the town eight years ago against her father's wishes to become a singer.

A showgirl aspiring to greater things endeavours to sort out her financial and romantic problems.

In 1959, in a small German village, the annual fair is set up. When a carousel is fixed firmly in the ground, a fair worker discovers a skeleton, a steel helmet, and a machine gun. The skeleton belongs to Robert Mertens, a plain soldier, who deserted in 1944 und flew to his home village. But when he arrived, no one wanted to help him, neither his former friends nor the minister, or even his own parents.

The film portrays the interaction of Johann Friedrich Struensee, a doctor treating the mentally ill Christian VII of Denmark, and his English consort Caroline Matilda.

Anna is a factory worker in East Germany, but her five-year-old son Jochen lives with his grandparents in the West. Anna wants him to live with her, so she abducts him. Along the way she meets Carl, who helps her cross the border, and they fall in love.

Katja Fleming has given up her job as an actress and married the business man Robert Fleming. But the cold that surrounds her in her modern, luxurious high-rise makes her lonely. Then she meets the author John Lawrence, who wants to convince her to perform in his new play.

A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.

A "mufti" version of Hamlet, with young Hardy Krüger trying to prove that his uncle has killed his father. Direct references to the Shakespeare original abound, right down to the re-enactment of the crime for the benefit of the Uncle and the periodic appearances of the ghost of the hero's father.'