Georg Thomalla

When a significant quantity of valuable gemstones is to be transported to South America by plane, those responsible are naturally extremely nervous. Everything must be perfectly planned, every possible risk averted.

The ghosts of thieves help a beautiful young countess save her inherited castle from modern developers in this comic horror/musical.

A comedy directed by Franz Josef Gottlieb

Lieschen Müller is in her mid-20s, works a dull office job and fancies the handsome waiter from the diner down the street, wishing for a more exciting life. In a vivid, lucid dream she happens upon a gigantic fortune, allowing her to live out her wildest fantasies. Quickly, however, she realizes that that's not what makes her happy.

Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. The third enters a romance due to a mistaken identity.

The keywords for this film are comradeship and trust among the youth of a small village on the Baltic which is firmly under the control of an innkeeper, Ottokar Waschke. Waschke owns the only tugboat in town, which the town's fishermen, who make up the majority of the employed, need to transport their catch. So he forces them to sell their fish for a pittance, which Waschke then re-sells at an enormous profit. In the meantime, a big-city teacher, Helmut Grundel, comes to the village and discovers Waschke's little game. Grundel wants to form a collective, so that the fishermen can become independent from Waschke and this makes Waschke into a dangerous enemy. When the young Heini, son of a dune-patrolman, discovers that canisters of liquour are being smuggled into Pommern under Waschke's watchful eye, Waschke threatens Heini, that he'll turn his father into the police, with the baseless accusation that daddy is behind the smuggling operation.