Book of Days

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

This is a documentary about an unfinished movie. Frank Zappa and the Mothers of Invention try to film the sci-fi epic "Uncle Meat."

Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys. One of two video documents of this early and influential performance, this version is enacted outdoors in trees and across the surface of a lake, in sequences directed by Schneemann.

The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged.

Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble.

Monk’s meditation on WWII and recurring cycles of intolerance, fascism, and cruelty in history originated in 1976 as a live stage work utilizing elements of music, images, movement, dialogue, film, sound, and light. This film version, shot on 16mm in the Lepercq Space at the Brooklyn Academy of Music in 1977, was created in partnership with the New York Public Library for the Performing Arts as part of their initiative to document ground-breaking live performance for future restaging. QUARRY centers on a sick American child (played by Monk herself) whose world darkens as her illness progresses, this darkening including the rise of a dictator. A unique document of this innovative, boundary-blurring production, and a work of art on its own terms, replete with a film-within-a-film directed by Monk in 1975.

A filming of Meredith Monk and Ping Chong's 1973 experimental theatre piece.

Film by Robert Withers and Meredith Monk.

With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation exploring metamorphosis accompanied with music by Meredith Monk.

Evolver is a collective virtual reality experience which drops audiences deep inside the landscape of the body, following the flow of oxygen through our branching ecosystem to a single breathing cell.

Children play. First shown normally, then shown in reverse.

Dancers rotate. Dancing shown from above. Black and white.

Five sets of hands form an ever-changing mandala.

The film is both a folkloric film and a social documentary about the Selkupi people who live in Siberia and make their living from hunting and fishing. The film follows the life of Yuri Mikhailovich Kalin's family, which consists of fishing, trapping fur animals, and bartering their catch for food and other goods. The film also describes the gradual disappearance of the Selkup way of life, as young people are no longer very interested in the traditions of their people and many of them move to villages to live and seek work in the oil industry.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

Various faces are shown in close up.