Dead Landscape

The characters of the 15th-century Hussite War – the Hussite mercenary, the imperial soldier, the priest, and the peasant – appear in a writer's home, and engage in a debate. The main question of their conversation: who among them is a traitor, and who has a just cause in the conflict. This movie is a television adaptation of Ferenc Sánta's drama of the same name, based on his novel "Az Áruló".

A group of plate-layers are packing the stone-bed under the rail with their pickaxes. They swing their picks in a coordinated, rhythmic way, thereby creating a sequence of rings, when they hit the stones or the rail, which sounds almost as music. When a train passes by, they stand silent beside the rail for a while, and then start the rhythmic beats again.

A grey-haired man walks through the fields. Fatigued, but with the same tenacity he roams the roads, the pathways, the tracks every day, medical bag in hand. Everyone awaits him: desperate or in hope, to the dying or to the woman in labour. He is the local GP. In fact, he is film director Imre Gyöngyössy’s father, the protagonist of one of his first short films. The personal narration based on the director’s poem is made complete by the pictures of Sándor Sára and István Gaál who were also active at Balázs Béla Studio at that time.

A 40-year-old sculptor returns home to witness the baptism of his young nephew. His return prompts a series of flashbacks to his youth and the political upheaval experienced by his family and friends.

Adapted for Hungarian TV. Dreamy Peer Gynt lives in a small Norwegian village high up in the mountains with his mother, Aase, and his grandfather. Peer Gynt's elderly father and grandfather have squandered everything, but the boy could still make the farm prosper with hard work if he wants to work, not just tell stories and hang around. Peer is living in a dream world, wanting to be king or emperor, running after his impossible visions without thinking. He could make a decent marriage with Ingrid, the daughter of a wealthy farmer, but he just dishonours her and runs away. Solvejg loves her with true love and then goes into the woods to hide, but Peer continues to run away to distant foreign lands...

The university student couple, Andris and Mari, cross Nemesbérc during their summer vacation, to hasten the laying of a memorial stone to the memory of András's martyr father.

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

Avant-garde picturesque vision to the music of Béla Bartók. Motifs of an abandoned farm evoked in haunting tones: a galloping horse, a thatched house, a hoe, crockery...

Huszárik's graduation film was another short entitled Groteszk (Grotesque) in 1963 about a strange train voyage of an artist carrying his own picture.

The first signs of autumn are seen in a landscape along a river. Some villagers are stacking a bed of stone blocks on the river-bank to avoid more eroding. Others are occupied by ploughing, fishing or repairing. A small steamboat passes by. In the engine room a stoker is shovelling coal into the oven. Further down the river a small town is passed by the water. A rowing-team is training for coming races. Some biologists are looking at microbes from the water through a microscope. A group of workers are painting a new barge and push it into the river. When a small boy sees a racing boat, he leaves his sand-castle and runs along the river.

Man and his environment.

A group of students cope with the disappearance of their friend.

The story is set in the stifling atmosphere of the 1950s. The highly politicized everyday life of the period unfolds from the perspective of a young man coming from a poor peasant background who wins entry to the humanities faculty in Budapest. The film shows how politics interferes in and corrodes the private lives of people.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

Sándor Sára's meditation on loneliness and the human condition.