Irma Patkós

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

Widely known in the village how miser Berta is. Gossip says, even when her husband passed away a year ago she tried to buy a second-hand coffin to get him buried in. She's in good physical condition compare to her age, but one day she just can't get out of her bed. The village council hire a mom of 3 in order to help her in and around the house, and she paid by the council as Berta act like she has no money. Once, when the young mom doing her bed she finds her secret savings there, and turns out she is a wealthy woman. Now the council, as she can not be on social, decides to use her savings to pay her help, of course without letting her know that.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

A couple in love, but sadly married to other partners. What is to be done? A diagnosis of a comfortable but profoundly incapable society, a Hungary suffering from an endemic private life disorder, observable both among the urban middle and the rural lower classes. A descent into a relationship’s demise, more from the tired inertia of a country that has lost all direction and sense of purpose than any ill will.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

The guard of the pond announces to Niklai, the president of the Mezőháti farmers' cooperative, that the agronomist Deczki has shipped one hundred and twenty kilos more fish than the amount on the waybill. The management decides to transfer the agronomist.

Dani, the few-month-old little boy born outside marriage is left by Eszter in the lap of her companion on the train. The widowed Aranka takes him willingly to her. The child is already ten years old and has a good life with Aranka. Then Géza enters their life and he does not welcome the child of someone else.

The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.